Chinese Postpunk Anthology
Toma VerlaineReflections on China’s indie rock scene, with post-punk understood not merely as a genre, but as a mode of perception.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 36 | Founded | 2 years ago | Last Issue | 12 days ago |
| Active | |||||
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tomaverlaine.substack.comLatest Issues
Shanghai's Underground Rock Scene in the 1990s
I wasn't looking for a pattern, but I have noticed that many of the bands I've liked over the past year or two are based in the Yangtze River Delta (长三角): Shanghai and its surroundings. It's also called Jiang-Zhe-Hu (江浙沪) by natives, meanin...
Prejudice and Discrimination against Chinese Music
Ricky Maymi has frequently spoken about the prejudice and discrimination directed at Chinese music, particularly rock music, that he has encountered in the course of his own activities. For example, referring to remarks by Alan McGee and NO...
The Mythology of Beijing Indie Rock in the 2000s
The name Carsick Cars is a byword for an era. It is at once a proper noun referring to a specific trio and a symbol that has come to encapsulate the scene, the fervour, and the myriad events that surrounded that period.
In both domestic an...
Seven Chinese Emo Bands for When You’ve Been Ignoring Your Own Heart
Day by day, the amount of information around us keeps increasing, and yet somehow there are fewer and fewer things that truly touch our hearts. In our busy everyday lives, we often push our own feelings aside.
Have you ever had a moment w...
An Interview with The Three Mice, Shenzhen’s Loudest Bedroom Band
Since forming in 2022, The Three Mice (鼠鼠鼠 Shǔ Shǔ Shǔ) have quickly built a following. Their appeal rests on their cute looks and a lo-fi, bedroom-style sound, drawing from indie rock, alt-rock, noise rock, emo, shoegaze, and whatever else...
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