Chinese Postpunk Anthology
Toma VerlaineReflections on China’s indie rock scene, with post-punk—not merely a genre, but a way of listening—as a mode of perception
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 35 | Founded | 2 years ago | Last Issue | 16 days ago |
| Active | |||||
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tomaverlaine.substack.comLatest Issues
Prejudice and Discrimination against Chinese Music
Ricky Maymi has frequently spoken about the prejudice and discrimination directed at Chinese music, particularly rock music, that he has encountered in the course of his own activities. For example, referring to remarks by Alan McGee and NO...
The Mythology of Beijing Indie Rock in the 2000s
The name Carsick Cars is a byword for an era. It is at once a proper noun referring to a specific trio and a symbol that has come to encapsulate the scene, the fervour, and the myriad events that surrounded that period.
In both domestic an...
Seven Chinese Emo Bands for When You’ve Been Ignoring Your Own Heart
Day by day, the amount of information around us keeps increasing, and yet somehow there are fewer and fewer things that truly touch our hearts. In our busy everyday lives, we often push our own feelings aside.
Have you ever had a moment w...
An Interview with The Three Mice, Shenzhen’s Loudest Bedroom Band
Since forming in 2022, The Three Mice (鼠鼠鼠 Shǔ Shǔ Shǔ) have quickly built a following. Their appeal rests on their cute looks and a lo-fi, bedroom-style sound, drawing from indie rock, alt-rock, noise rock, emo, shoegaze, and whatever else...
Carsick Cars与其时代
《中南海》，现在便利店里还能买到。曾经，一演奏起这曲目，台下就有人把整条整条的烟扔向舞台。旋律好记，编排简洁，歌词直白，噪音充沛——这首歌几乎满足了关于摇滚乐的所有理想。
这首歌出自Carsick Cars——不是中国第一支后朋克风格的乐队，但他们的出现是中国摇滚史上最重要的一次转折。这种影响早已溢出后朋克的小圈子，渗进了如今几乎每一支仍在活跃的乐队的骨子里。
Carsick Cars 这个名字既是指向特定三人组的专有名词，也是凝聚了一个时代的场景、热气，以及其中无数事件...
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