
a living archive
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 435 | Founded | 4 years ago | Last Issue | 20 days ago |
| Active | |||||

An accounting of the visible world and the invisible world: this is one definition of art that Richard Tuttle has offered up over the course of his five-decade career. With two major presentations of the American artist’s work on view in Lo...
Revisiting one of my favorite exhibitions in recent memory, “Intuition” at Venice’s Palazzo Fortuny in 2017…
Immodesty has perhaps never appeared so putrefying as it does in 2017, year of the pretentiously sweeping curatorial gesture. Foll...
The centerpiece of Jake and Dinos Chapman’s exhibition [at White Cube in Hong Kong, 2013] was four large glass vitrines, each containing a veritable orgy of filth, violence, death, and destruction. Entitled The Sum of All Evil, the cast of...
The consideration of pornography as a serious cutting-edge art form has been making a comeback in recent years across all fields of expression. In film, the homo-punk sleaze antics of Bruce la Bruce have become increasingly trendy with the...
A novel is an accumulation of forms. In its inherent multiplicity, it cannot cohere, nor should it be forced to. When it is coerced into coherence through narrative – specifically the sort of narrative rooted in crude psychological generali...
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The writers behind this newsletter.
Travis Jeppesen is the author of numerous books, including The Suiciders, See You Again in Pyongyang, and Bad Writing. His new novel, Settlers Landing, will be published alongside a 20th anniversary edition of his first novel, Victims, next year.
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