The Arboreal Aesthetic in French Painting
Amelia GoldsbyA writing lab for my dissertation "Trees as Bodies of Communication: The Arboreal Aesthetic in French Painting, 1780-1870"
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A cure for "plant blindness?"
Antoinette Cécile Hortense Haudebourt-Lescot, Portrait of a Woman Sketching en plein-air, 1810s. Nationalmuseum Stockholm.
I study representations of trees in art by giving them the same meaning-making potential as human figures in paintin...
When tragedy strikes a chestnut tree
Achille Etna Michallon, La Femme foudroyée [The Woman Struck by Lightning], 1817. Musée du Louvre.
Two travelers discover a woman’s body after a storm. They stand on a rutted road, which curves along the banks of a river, as they attempt...
Photo Essay: The sensibilité arboricole of Paris
I was recently in Paris for dissertation research! In addition to visiting museums and archives, I explored the city, its landmarks, and its collections with trees in mind. It was important to me that, in addition to my more formal research...
Biodiversity and the Picturesque Forest
Jacob van Ruisdael, The Forest Stream, c.1660. Met Museum.
What is the Picturesque?
Broadly speaking, the Picturesque describes an aesthetic developed in the eighteenth century in which “natural” scenery was like a picture, and vice v...
Drawing Landscape, Studying Botany
Jean François Sablet (attributed to), Les Jeunes Paysagistes [The Young Landscapists], c.late 18th to early 19th century. Musée Magnin.
In the last decades of the eighteenth century into the first decades of the nineteenth, landscape drawi...
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Authors
The writers behind this newsletter.
PhD candidate in art history; environmental humanist; gardening novice. My research asks: What can we learn if we give trees equal narrative weight to human figures in 18th- and 19th-century painting?
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