
Intersecting Black improvised music, spirituality and alternative ontologies.
| Platform | Pricing | Only free issues | Publishes | Monthly | |
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| Issues | 5 | Founded | a year ago | Last Issue | 4 months ago |
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As a young teenager, I started playing saxophone at my home church, Soul Saving Station, Christ Crusaders of America in Harlem. Harlem at that time was still a hotbed of jazz clubs - Baby Grand, Cotton Club, Lenox Lounge, and Showman’s, whi...
This is a clip from the song “Azusa Revisited”. A synthesis of Black church music and modern jazz inspired by the ecstatic and spiritual Azusa Street Revival in Los Angeles in 1906. A Pentecostal spiritual awakening not channeled through a...
On my previous post here, I laid my thoughts regarding the phenomenon of Luminous Darkness. Of light in the depths of darkness. In this post, here is a behind-the-scenes look at the song “Luminous Darkness”—from its conceptualization and co...
For many of us, the scenes we see on social media as a result of this regime are not something to celebrate. Power-grabbing edicts designed to dehumanize and strike fear in us. So much suffering. Empathy is labeled as toxic. The path out of...
As a composer, saxophonist and conceptualist, I come from the extemporizing traditions of both Black church and Black music. They both originate from the riff. An idea that is germinated by repetition, transformed, extended, and built upon...
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The writers behind this newsletter.
Saxophonist, Music Conceptualist. Wanna-be mystic. Exploring modes of transcendence. Intersecting Coltrane, Howard Thurman, James Cone, Sun Ra and early Black Pentecostalism.
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