Unfound Peoples Videotechnic
Graeme ColeRoaming absurdist film school. Micro-essays on the esoterics of filmmaking. Trudging through wastelands of ignorance towards a Cinema of Doubt via Béla Tarr, the Kuchars, Maddin and Deren.
| Platform |  | Pricing | Only free issues |
|---|---|---|---|
| Publishes | Weekly | Issues | 92 |
| Subscribers | Read | unfound.video |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
◡◶▿ HOME10 | The beating bosom
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◡◶▿ HOME09 | Set & sequence
Okay. We made it over “darkness’s hump day.”1 In this hemisphere, anyway! And to week nine of our program on “what the incidental home moviemaker can teach the dedicated amateur and the industry professional. And vice versa.”
◡◶▿ HOME08 | Hobby horses
> Missed a week? Joined late? Don’t worry about reading these lessons out of order. Each functions independently. They are sent in a sensible sequence but hardly reliant on it.
◡◶▿ HOME07 | Frame work
Footnotes To A House of Love (Cinematographer: Laida Lertxundi, 2007)
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Authors
The writers behind this newsletter.
\ud83c\udfa5 Mistakeist. Jaded ex-filmmaker/reclusive guru. Professional human writer. Occasional festival juror/programmer. Bistrik7 Collective. Graduate of Béla Tarr's MFA. Principal of Unfound Peoples Videotechnic: a roaming absurdist film academy. \ud83d\udcda
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