Viktoria Balint
Horror & thriller obsessive. I watch the bad ones so you don't have to — and I've got the trauma to prove it. Honest takes, no hype, no BS. If you bleed for this genre, subscribe and let's talk.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 38 | Founded | 5 months ago | Last Issue | 10 days ago |
| Active | |||||
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viktoriabalint.substack.comLatest Issues
The Price of Authenticity: Horror's History of Director-Forced Realism
Rosemary’s Baby (1968) film still © Paramount Pictures
There’s a moment in Rosemary’s Baby where Mia Farrow, playing a woman craving raw meat during a pregnancy she doesn’t fully understand, eats actual raw chicken liver on camera. Farrow...
Hokum Review: A Nostalgic Return to 2010s-Style Supernatural Horror
Hokum (2026) poster © Neon — edited by Viktoria Balint
Director: Damian McCarthy
Spoiler status: Light spoilers
When I decided to watch Hokum, all I knew was that it had something to do with folklore. I’m not big on watching trai...
The Oopsie That Gave Away a Zombie Empire
Here’s a number that still stops me every time I think about it: $30 million. That’s roughly what Night of the Living Dead made on a budget of about $114,000. And George Romero, the man who invented the modern zombie, saw almost none of it....
How Regional Tradition Became Hollywood's Horror Blueprint
The Skeleton Key (2005) film still © Universal Pictures
Horror has always borrowed from the ground it stands on. Local legends, half-remembered rituals, and stories passed down to scare children into behaving have fed the genre for as long...
Backrooms Review: Liminal Space, Minimal Scares
Backrooms (2026) film still © A24 et al.
Director: Kane Parsons
Spoiler status: Spoiler-heavy
Backrooms is one of the most profitable movies of 2026. Considering it’s a horror movie, that’s a big accomplishment. But is it really w...
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Horror & thriller obsessive. I watch the bad ones so you don't have to — and I've got the trauma to prove it. Occasionally, that trauma spills into poetry. Honest takes, no hype, no BS. If you bleed for this genre, subscribe and let's talk.
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