Viktoria Balint
Horror & thriller obsessive. I watch the bad ones so you don't have to — and I've got the trauma to prove it. Honest takes, no hype, no BS. If you bleed for this genre, subscribe and let's talk.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 40 | Founded | 6 months ago | Last Issue | 8 days ago |
| Active | |||||
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viktoriabalint.substack.comLatest Issues
Croatia, Catholicism and their Problem with Horror
The Craft (1996) film still © Columbia Pictures
Ever told someone you love horror and watched them look at you a little differently?
It usually starts with a pause, followed by that polite smile. The raised eyebrow. The slightly awkward “...
"Dead Men Don't Rape": Why Horror Punishes the Monsters Reality Lets Walk
I Spit on Your Grave (1978) film still © Cinemagic Pictures
Content warning: this article discusses sexual assault and includes references to graphic violence in film.
A woman was 20 years old when she went to a fraternity house at Cornel...
The Price of Authenticity: Horror's History of Director-Forced Realism
Rosemary’s Baby (1968) film still © Paramount Pictures
There’s a moment in Rosemary’s Baby where Mia Farrow, playing a woman craving raw meat during a pregnancy she doesn’t fully understand, eats actual raw chicken liver on camera. Farrow...
Hokum Review: A Nostalgic Return to 2010s-Style Supernatural Horror
Hokum (2026) poster © Neon — edited by Viktoria Balint
Director: Damian McCarthy
Spoiler status: Light spoilers
When I decided to watch Hokum, all I knew was that it had something to do with folklore. I’m not big on watching trai...
The Oopsie That Gave Away a Zombie Empire
Here’s a number that still stops me every time I think about it: $30 million. That’s roughly what Night of the Living Dead made on a budget of about $114,000. And George Romero, the man who invented the modern zombie, saw almost none of it....
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Horror & thriller obsessive. I watch the bad ones so you don't have to — and I've got the trauma to prove it. Occasionally, that trauma spills into poetry. Honest takes, no hype, no BS. If you bleed for this genre, subscribe and let's talk.
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