
Writings on Art, Culture, and Beauty from a Christian Perspective
| Platform | Pricing | Only free issues | Publishes | Weekly | |
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| Issues | 97 | Founded | 2 years ago | Last Issue | 5 days ago |
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This is the first of six posts on the mathematics of beauty1: the traditional body of knowledge, running from the ancient Greeks through the Church Fathers and into the design of Western art and architecture, which held that beauty has a ma...
An Illustration of How Sacred Art Can Inform the Profane
The Baroque period of the 17th century saw the flourishing of a whole new Christian culture. Beginning in Italy and closely associated with the liturgy as part of the Catholic Counte...
Last week, in Part 1, I introduced the Baroque sacred tradition: its origins in the Counter-Reformation directives of the Council of Trent, its founding principles as illustrated in the work of Federico Barocci and José de Ribera, and the v...
In these two posts, I want to look at the Baroque tradition of sacred art: where it came from, why it looks the way it does, and what makes it distinctively Christian. Part 2, next week, examines how the tradition spread across Europe and t...
Last week I introduced the Gothic tradition: its historical origins in the cultural shifts of the 12th century, its theological character as the art of those on pilgrimage between the fallen world and heaven, and its visual characteristics...
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The writers behind this newsletter.
Artist in Residence, Scala Foundation. Provost and Dean of the Faculty of Sacred Arts, Pontifex University, writer for the House of Leiden art collection in Holland. Melkite Catholic and working artist. I studied physical science at Oxford University
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