What's a binky? by Larry Blake
Larry BlakeLarry Blake's weekly thoughts on the art, craft, and history of motion pictures—with a focus on imaging, sound, and archiving—alternating between writings (1st and 15th of the month) and podcast interviews with friends and colleagues (8th and 22nd).
| Platform |  | Pricing | Freemium | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 30 | Founded | 4 months ago | Last Issue | 2 days ago |
| Active | |||||
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larryblake.substack.comLatest Issues
Podcast Episode 7: Spooky Stevens
Spooky has been the publicist on 17 movies that I've worked on, beginning with Out of Sight in 1998.
The seventh podcast episode features my publicist friend Spooky Stevens, who has been a top-drawer unit publicist for movies since the lat...
The History of Photochemicalphilia: Part Seven of Ten
The idea to either change the screen size, mid-movie, sometimes with a different aspect ratio, is one of the oldest tricks in the filmmaking book, with many iterations going back to the Twenties.
The most famous example was the “Polyvision...
Six Slices or One: Breaking the 2,000-Foot Barrier
An encore, and much updated, performance from a column originally written for the January 2002 edition of Mix magazine
There’s an old quip usually attributed to the great New York Yankees catcher Yogi Berra. When faced with an out-of-the-o...
Podcast Episode 6: Cliff Martinez (part two)
The sixth podcast episode is part two of a chat with my long-time colleague Cliff Martinez.
This second episode with Cliff, and we manage to have even more fun than last time.
The History of Photochemicalphilia: Part Six of Ten
In 2018 for the 50th anniversary of 2001: A Space Odyssey, Warner Bros. exhibited the film on 70mm prints around the world. This so-called “unrestored” version of the movie, using only photochemical film printing and no digital clean-up, wa...
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Larry Blake is a supervising sound editor/re-recording mixer of feature films. He has written extensively on film since 1981 and will soon be publishing the autobiography of film sound great Murray Spivack.
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