What's a binky? by Larry Blake
Larry BlakeLarry Blake's weekly thoughts on the art, craft, and history of motion pictures—with a focus on imaging, sound, and archiving—alternating between writings (1st and 15th of the month) and podcast interviews with friends and colleagues (8th and 22nd).
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 45 | Founded | 7 months ago | Last Issue | 29 hours ago |
| Active | |||||
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larryblake.substack.comLatest Issues
In Praise of Super 8 (part three of three)
A frame of yours truly in what is almost certainly the only double-system Super 8 Kodachrome home movie shot in Destin, Florida, in the summer of 1978.
The first discussions I can remember having regarding Super 8’s position in the motion...
Podcast Episode 14: Paul Rayton (part two)
This podcast lasts 57 minutes, continuing from both part one and the special credit for projection nerds only podcasts on August 22.
(You can click the Transcript button on the top right, and there you can jump to specific spots in the pro...
In Praise of Super 8 (part two of three)
My mentor, Georges Cardona, in the foreground with me in the back shooting my first real movie.
After I finished my Napoleon House movie, for my next opus I decided to combine my love of movies with my equal love of pool1, and came up with...
Podcast Episode 12: Paul Rayton (part one)
Paul Rayton got into projecting, one way and another, while still in high school. After he studied at USC with George Lucas, he acquired much more experience in theaters around Los Angeles. He was sufficiently enamored of the craft of proje...
Podcast Episode 13: Projection nerd stuff for extra credit with Paul Rayton
Paul Rayton showing he’s not scared of no stinking carbon arc lamphouse.
This podcast is intended for projection nerds only; everyone else be forewarned!
This podcast lasts 60 minutes. Part 2 (safe for general consumption) will appear on...
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Larry Blake is a supervising sound editor/re-recording mixer of feature films. He has written extensively on film since 1981 and will soon be publishing the autobiography of film sound great Murray Spivack.
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