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What's a binky? by Larry Blake

Larry Blake

Larry Blake's weekly thoughts on the art, craft, and history of motion pictures—with a focus on imaging, sound, and archiving—alternating between writings (1st and 15th of the month) and podcast interviews with friends and colleagues (8th and 22nd).

Platform
Substack
PricingOnly free issuesPublishesWeekly
Issues47Founded8 months agoLast Issue8 days ago
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Artwork for What's a binky? by Larry Blake

Latest Issues

On Movie Titles (part one)

The first movie whose titles I ever thought about was Citizen Kane, as noted in a piece about the camera work on Kane. In Peter Bogdanovich’s 1972 Esquire article on the authorship of the movie, he notes that Welles’s producing-directing ca...

8 days ago
3
1

Podcast Episode 15: Dave Henri (part one)

Dave Henri is a computer and video playback supervisor who has spent the past 25 years creating on-camera motion graphics and video pieces on projects ranging from Steven Spielberg’s Minority Report to TV shows such as Alien: Earth and For...

16 days ago

In Praise of Super 8 (part three of three)

A frame of yours truly in what is almost certainly the only double-system Super 8 Kodachrome home movie shot in Destin, Florida, in the summer of 1978.

The first discussions I can remember having regarding Super 8’s position in the motion...

21 days ago
3
3

Podcast Episode 14: Paul Rayton (part two)

This podcast lasts 57 minutes, continuing from both part one and the special credit for projection nerds only podcasts on August 22.

(You can click the Transcript button on the top right, and there you can jump to specific spots in the pro...

a month ago
2

In Praise of Super 8 (part two of three)

My mentor, Georges Cardona, in the foreground with me in the back shooting my first real movie.

After I finished my Napoleon House movie, for my next opus I decided to combine my love of movies with my equal love of pool1, and came up with...

a month ago
5

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  • Larry Blake

    Larry Blake is a supervising sound editor/re-recording mixer of feature films. He has written extensively on film since 1981 and will soon be publishing the autobiography of film sound great Murray Spivack.

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