
Larry Blake's weekly thoughts on the art, craft, and history of motion pictures—with a focus on imaging, sound, and archiving—alternating between writings (1st and 15th of the month) and podcast interviews with friends and colleagues (8th and 22nd).
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 36 | Founded | 5 months ago | Last Issue | 6 days ago |
| Active | |||||

Throughout the previous nine parts of this series, I’ve put forth many examples of the photochemicalphilia that has gripped the movie industry for almost 15 years. It’s incumbent upon anyone who is espousing a strong hypothesis to try to di...
David Leitner is a producer, director, and cinematographer with over a hundred credits in dramas and documentaries. From 1977-1985 he was Director of New Technology at New York’s legendary DuArt Film & Video, responsible for innovations in...
Da duummm….
Although we had first met in February 1979, Steven Soderbergh and I had known of each other for a few years via a mutual friend. That meeting, at a screening (I hesitate to call it a “film festival”) in Baton Rouge of Super 8 m...
If Brady Corbet was guilty of photochemicalphilia when he resurrected the act of shooting principal photography on VistaVision for his 2024 movie The Brutalist, Paul Thomas Anderson took it to the next plateau by projecting One Battle After...
Joan Giammarco is a dubbing director, versioning supervisor, and actor. Having worked both in front of and behind the microphone, she has a rare understanding of every stage of the localization and dubbing process.
She has worked on the in...
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The writers behind this newsletter.
Larry Blake is a supervising sound editor/re-recording mixer of feature films. He has written extensively on film since 1981 and will soon be publishing the autobiography of film sound great Murray Spivack.
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