
Yvette Stanton, of Vetty Creations, is an embroidery historian, embroidery author and embroidery designer. She thinks a lot about embroidery, and sometimes deems those thoughts shareable with others.
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Today I’m looking at an example of drawn work from the Museum of Fine Arts, Boston - Accession Number 31.774.
Drawn-work, Persian (?) 18th century. Accession number 31.774, Museum of Fine Arts, Boston. Image licence: Public domain.
The we...
Happy Syttende Mai! 17th May is Norwegian Constitution Day. In 2014 I was in Bergen for it, on my way to Utne on the Hardangerfjord to study Hardanger embroidery at the Hardanger Folkemuseum.
Constitution Day parades happen all over Norway...
Recently, I’ve done a series of posts that identify different characteristics of an historical embroidery, and for some, I’m able to classify it as a particular embroidery style. This post is the opposite: we’re starting with what the embro...
While knitting the other day, to keep my mind occupied, I decided to go on a search of whitework in online museum collections. As often happens in these circumstances, I disappeared down a rabbit hole and found myself reading an interesting...
There are a few things to share with you today - some upcoming class information and some lovely emails/messages from stitchers. Please read on…
Registrations are now open for my virtual classes to be run later this year for the Embroidere...
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The writers behind this newsletter.
Yvette Stanton is an embroidery historian and author of instructional books on embroidery. She specialises in whitework embroidery.
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