
On Writing, Coaching Writers, Book Coaching, and more...
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 150 | Founded | 4 years ago | Last Issue | 5 days ago |
| Active | |||||

I was coaching a writer recently who’d done extensive research for his historical thriller. He knew the Ethiopian Jewish community’s ancient practices, the Knights Templar’s connection to religious artifacts, the details of World War II Ita...
Every time you switch point of view in your novel, you’re asking your reader to make an adjustment. They have to leave one character’s head, reorient themselves, and settle into someone new. This cognitive shift isn’t free—it costs somethin...
Writers come to me all the time with a diagnosis already in hand.
“My pacing is too slow.”
“I think I need to restructure the whole book.”
I’m not sure where my inciting incident is.”
“I’m worried I’m boring my reader.”
They’ve been th...
I was a guest author on Jane Friedman’s blog yesterday below is an excerpt from my post:
I’ve written before about the three kinds of transitions that require connective tissue and how connective tissue builds character through the in-betw...
[Ideas in this post come from Frank Conroy’s essay “The Writers’ Workshop”—Featured in Dogs Bark, but the Caravan Rolls On.]
“I definitely write with assumptions,” a writer told me recently. “I assume my reader knows what I’m talking about...
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The writers behind this newsletter.
bestselling novelist, writing coach, and sneaker aficionado. More at https://t.co/CVcClKtF0r
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