Writing Coach
Seth HarwoodOn Writing, Coaching Writers, Book Coaching, and more...
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 140 | Subscribers | Read | sethharwood.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
The Fastest Fix for an Opening That Isn't Working
The most common problem in opening chapters is also the fastest to fix. It’s not your dialogue. It’s not your voice. It’s not your plot. It’s something so fundamental that you probably can’t see it on your own — but a reader notices it imme...
Your Character Needs a Body
A writer sent me the opening pages of her novel recently. The setup was strong — a complicated woman arriving at a place she didn’t want to be, surrounded by people who weren’t sure she belonged. The atmosphere was tense, the secondary char...
What "Trust the Reader" Actually Looks Like on the Page
I was reading a client’s chapter recently — a scene where two men sit down to negotiate a backroom deal in 1950s Havana. There’s no shouting. No guns on the table. One of them lights a cigarette, orders coffee, and lays out a quiet proposit...
The Three Rules for Tagging Dialogue (And Why "Said" Is All You Need)
A writer sent me a dialogue scene recently. The conversation itself was strong—sharp, tense, full of character voice. But she’d tagged every single line:
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Authors
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bestselling novelist, writing coach, and sneaker aficionado. More at https://t.co/CVcClKtF0r
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