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Latest Issues

Six remarks on the language of nighttime

ℕ𝕀𝔾ℍ𝕋 𝕀𝕊 𝔸 𝔻𝕀ℂ𝕋𝕀𝕆ℕ𝔸ℝ𝕐

𝔻𝕀ℂ𝕋𝕀𝕆ℕ𝔸ℝ𝕀𝔼𝕊 𝔸𝕎𝔸𝕂𝔼ℕ in their reader the nocturnal, grammatical sense, the paradigmatic drive that fires the activity of the art thief and insomniac perambulator: the escaped scalpel of the s...

15 days ago
20
1

Prose-poem on color-feeling to be read at work

Text within this block will maintain its original spacing when published

It’s May Day. Red, red banners flow through the air against this new green (after this final display, we can initiate the great auto-dissolution and thro...
19 days ago
25
1

Second report: What the HELL is everybody actually reading these days?

In my last INTERR-COM post, First report, I collected the first three sets of answers to an INTERROGATION FORM (questionnaire) that I sent out to readers. However, I received more responses than I expected I would, so instead of continuing...

22 days ago
19
2

The Dark Wood of Earthly Paradise

“Language is not made for communication”

Giorgio Agamben writes with an intransitive directness that has almost nothing to do with an interlocutor. He is not concerned with “communicating.” For Agamben, what is important is the clarity o...

a month ago
25
5

An Experiment in Eclecticism

The eclectic collects; he builds a museum; he is sovereign. He does not go behind the work of art, the idea, the philosophy, to reach the disturbing experience that prompted it: he stays at home. His taste may be excellent, but something...

a month ago
37
10

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  • Zane Perdue

    COM-POSIT is a newsletter of aphoristic essays, critical–speculative prose, reviews, and occasional fictions.

  • Eris

    Arse Poetica.

  • Discordia Review

    The official Discordia Review Press account.

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