A Year of Bach
Evan GoldfineBach is the greatest, and I haven't listened the complete catalog, so in 2024, I'm listening to every Bach composition and writing about it here.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 46 | Subscribers | Read | yearofbach.substack.com |
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April 24: Harpsichord Works; Pierre Hantaï, harpsichord
Bach is the composer I’ve listened to the most, and I feel like I’ve attained only a surface level understanding of what he got himself up to.
April 22: Violin Concertos, Double Concerto BWV 1041-3 (Isaac Stern, Itzhak Perlman; New York Philharmonic, English Chamber Orchestra)
Fresh off our look at Bach’s perhaps overblown adaptations of his own Violin Concertos, let’s dig into the primary sources, which are among the pinnacles of Western music. No time like the present! (What if I drop dead before writing about ...
April 19: Concertos for Two, Three and Four Harpsichords (BWV 1060, 1061, 1062, 1064, 1065; Cologne Chamber Orchestra; Helmut Muller-Bruhl, conductor)
There’s a scene in the movie, “Amadeus” where Emperor Joseph obliquely expresses his low opinion of Mozart’s new work. The Emperor tells his aghast court composer, “There are, in fact, only so many notes the ear can hear in the course of an...
April 15: Cantatas (BWV 31, 81, 129, 147, 182); Orchester der J.S. Bach-Siftung; Rudolf Lutz, conductor
Back in 1995, my music theory classmates and I watched a VHS of the Metropolitan Opera’s glamorous performance of “Turandot.” At 17, I wasn’t quite ready for opera, but I sure liked the big tune, “Nessun Dorma” (“None Shall Sleep.”)
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