
A journey through the archives of experimental sound, with a deep appreciation for landmark figures and music from years gone by.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 39 | Founded | 2 years ago | Last Issue | 13 days ago |
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In the early 1970s, the music of The Awakening arrived like a transmission from another planet, carrying messages destined for that time, but also tailored to a future waiting to complete the conversation. Though the group’s catalog is slim...
I’ve long admired the music of Phonte because of the honesty it exudes, the kind you can understand in your 20s, though it doesn’t resonate until more dust adorns your birth certificate. It’s not the kind of performative truth that other ra...
Photo scan courtesy of Junius Paul
There are albums that announce themselves forcefully, demanding to be understood in real time. Then there are records like Come to My Garden, Minnie Riperton’s breathtaking 1970 debut, which seem to hover...
By the time Sunlight arrived in June 1978, Herbie Hancock was already living several musical lives at once. There was the acoustic purist who had returned to the piano with V.S.O.P., a live album that revisited the elegance and elasticity o...
Bassists hold a special kind of gravity, an unseen, if not underappreciated role as the quiet force of the band. They hold the music upright while everything dances above it.
In jazz, especially, one can feel that gravity. You hear it, sur...
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The writers behind this newsletter.
Music Journalist • Curator • Author of “The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America” and “High and Rising: A Book About De La Soul”
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