
A journey through the archives of experimental sound, with a deep appreciation for landmark figures and music from years gone by.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 37 | Founded | 2 years ago | Last Issue | 9 days ago |
| Active | |||||

Photo scan courtesy of Junius Paul
There are albums that announce themselves forcefully, demanding to be understood in real time. Then there are records like Come to My Garden, Minnie Riperton’s breathtaking 1970 debut, which seem to hover...
By the time Sunlight arrived in June 1978, Herbie Hancock was already living several musical lives at once. There was the acoustic purist who had returned to the piano with V.S.O.P., a live album that revisited the elegance and elasticity o...
Bassists hold a special kind of gravity, an unseen, if not underappreciated role as the quiet force of the band. They hold the music upright while everything dances above it.
In jazz, especially, one can feel that gravity. You hear it, sur...
Before Busta Rhymes ever released a solo album, he was inevitable — an unlikely presence in a crowded landscape of singular rap personalities, with a gravitational pull that reshifted the rules of space, breath and tempo. He wasn’t just rap...
In the lexicon of jazz drumming, there’s a handful of names that rise from the page right away — Max Roach, Art Blakey, Elvin Jones, Tony Williams — standard-bearers who defined how generations heard time and swing. But buried in the inters...
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The writers behind this newsletter.
Music Journalist • Author of “The Butterfly Effect,” a Kendrick Lamar biography, and “High and Rising (A Book About De La Soul)”
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