Petersdottir
Ana BrzezinskaA practitioner’s perspective on immersive art and media, and how frontier technologies change contemporary audiovisual culture.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 46 | Founded | 3 years ago | Last Issue | 4 days ago |
| Active | |||||
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petersdottir.substack.comLatest Issues
You Too Could Be an Artist. Perhaps You Shouldn’t.
This past weekend, the last sunny weekend of the vanishing golden summer and the first weekend of historical high school protests in France, I read fragments of Pope Leo’s recent speech to the artists:
“Art, when it is authentic, is also...
Jacob’s Exquisite Corpse
I haven’t slept well since the Jacob Coxon X testimonial.
Not because I got scared by what it painted in front of me as a picture that was quickly complemented by various members of the AI nobility. The conversation on the doomsday AI scen...
Architectures of possibility
In a recent note about the future of cultural experiences shaped by immersive practices, I started looking at architecture, and at how some of the minds behind architectural breakthroughs have imagined the future of our society as shaped by...
How Not to Use AI in Your Creative Proposal or Funding Application
If you’re writing applications to secure funding for your creative work, or if you are a decision-maker in a granting institution confused about where creative sectors are headed, this note is for you
I have been assessing grant and progra...
A Game of Perspectives
Why presence matters more than agency or collective action in immersive art
The HBR analysis of why some immersive experiences succeed, by Joseph C. Nunes and Wendy Heimann, brings up some great points on how to define success in immersive...
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Authors
The writers behind this newsletter.
Curator, and creative director in Immersive Art & Technology — Moment Factory | Barbican | Tribeca | EU Commission — Blooloop Top 50 Museum Influencer
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