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The Cultural Economist

Anthony Palomba is an award-winning professor at UVA Darden teaching Data Storytelling and Media & Entertainment Business. His work blends machine learning, causal inference, and media economics. Newhouse MA, UF PhD, Purdue MS Econ (in progress).

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Issues8Founded4 months agoLast Issue4 days ago
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Latest Issues

Stranger Things Redux

In my fervent and frenetic need to prove myself as a media economist/machine learning whatever, I pushed myself (and, frankly, pushed AI pretty hard too) to code and develop a tool that can break down movie and TV scripts in an organized an...

4 days ago
1

How Black-ish Became Popular-ish

Hi all!

As of writing this, I’ve just closed four sections of data storytelling with 171 MBA students…3,000 slides+, and 1,500+ charts later, I’m wiped out! I apologize for the delay here, and will be making this up in the next month with...

14 days ago

The Silence Before the Answer

There’s a particular kind of television criticism that mistakes economy for emptiness. CSI: Crime Scene Investigation attracted plenty of it during its fifteen-season run on CBS (2000–2015). Reviewers catalogued the show’s procedural formul...

a month ago
1

The Grammar of Guilty Pleasure

There’s a particular kind of television criticism that mistakes simplicity for stupidity. 2 Broke Girls attracted plenty of it during its six-season run on CBS (2011–2017). Reviewers catalogued the show’s reliance on crude jokes, its thin p...

2 months ago

What Actually Makes People Come Back Next Week?

Netflix…really?

I was surprised they didn’t pull through on this one. Paramount’s aggressive posture suggests something deeper — not confidence, but pressure. Consolidation is accelerating. DOJ hurdles remain. Nothing is final. But the dir...

3 months ago
2

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  • The Cultural Economist

    Award-winning UVA Darden professor of Media & Entertainment Business. Research blends ML, causal inference, and media economics. MA in TV & Film (Syracuse Newhouse), PhD in Media (UF CJC), and MS in Economics (Purdue Daniels, in progress).

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