Art Film
Noah GarfieldWelcome to the world where a good plot twist is worth its weight in gold.
| Platform |  | Pricing | Only paid issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 24 | Founded | 2 years ago | Last Issue | 9 months ago |
| Active | |||||
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artfilm.substack.comLatest Issues
ART FILM: On Structures, Part 3: The Ghosts in the Machine
Hello, This is the final installment in our analysis of the screenplay for The Brutalist. We have spoken of the collision between artist and patron, and of the weaponization of language. For this last piece, I want to talk about the ghosts....
The Successful Failure of "Hot Milk"
There is a moment in film criticism, a familiar beat, when the numbers come out.
There is a moment in film criticism, a familiar beat, when the numbers come out. A film gets stamped with its Tomatometer score, its Metascore, its box office...
ART FILM: On Structures, Part 2: The Grammar of Power
Hello, In our first discussion of The Brutalist, we examined the vertical conflict between artist and patron—the consumption of labor by capital.
Hello, In our first discussion of The Brutalist, we examined the vertical conflict between ar...
The Benevolent Weavers: On "Sorry, Baby" and the Commodification of Care
One of the great fallacies we are sold is that of the lone artist, a singular genius wrestling a masterpiece from the ether.
One of the great fallacies we are sold is that of the lone artist, a singular genius wrestling a masterpiece from...
ART FILM: On Structures, Part 1: The Blueprint as Manifesto
Hello, This will be the first of three pieces on Brady Corbet and Mona Fastvold’s screenplay for The Brutalist. I have the final shooting draft from March 2023 in front of me, and having now seen the finished film, I find the document itsel...
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Authors
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A filmmaker in hiding seeking worthwhile films.
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