Art Direction Sessions for Film
Art Direction SessionsWe train the filmmaker or observer’s eye to help shape storytelling through Art Direction and Production Design for Film with affordable and effective know-how.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 7 | Founded | a year ago | Last Issue | a year ago |
| Active | |||||
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artdirectionsessions.substack.comLatest Issues
A visual commentary on macabre interiors and quiet locations for a self-loathing character in muted, melancholic costuming
Session on “Possum” (2018) by Ben Sasson
I first learned of English comedian, director, author and actor, Matthew Holness, while I was spending a night in a hotel in New York City in 2004. While lounging about, I grabbed the remote and sta...
How a director’s sticky divorce influenced his film’s color palette, from accessorizing costumes to pull the most from his actor’s performance, to simple props to create tension & distrust.
Session on “Possession” (1981) by Mimi Violette
Possession, like most of Andrzej Żuławski’s work, is not for everyone. I tend to lean into films not intended for most, those powerful underdog types where the storytelling feels more raw and...
Creating dank, neo-noir vibes and visual discord in a makeshift basement apartment.
Session on "Across 110th Street" (1972) by Ben Sasson
Jim is a criminal born into the injustice of society. The film’s gritty look at the seedy side of the law has us in this Session centered around Jim and Gloria’s love nest without any o...
Enter a child’s world, where foreshadowing the sea inspires a vivid bedroom and sunset toned interiors; where building materials frame daydreams, and naïve drawings reflect fears, heartache and hope.
Session on "The Quiet Room" (1996) by Ben Sasson
I was first introduced to Rolf de Heer’s work at an annual film festival that I attended every year in Prague. The film was called Bad Boy Bubby and I was totally blown away with everything...
How we got here.
Having worked in the limelight (or more like under the fluorescent lights) of the Prague film industry’s Art Department, far from the film sets themselves since 2013 as a Graphic Designer, I came to the realization that the projects I’d wor...
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