
Letters, observations and marginalia on contemporary art
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 337 | Founded | 5 years ago | Last Issue | 6 days ago |
| Active | |||||

Marta Minujín and her psychedelic “Minuphone” at the Torcuato di Tella Institute, Buenos Aires, 1969
Last week, while meeting with a few fellow artists on a small committee for EFA, our studio program in New York, we began discussing the c...
for Dannielle
This small dry stick of Bursera graveolens,
perhaps gathered one cold gray dawn
by a Chontal farmer
near San Pedro Huamelula,
on the morning preparations began
for the wedding of the Princesa Lagarta a...
Unknown artist, Moorish merchant with a camel, c.1250. Palazzo Mastelli del Cammello, Rio della Madonna dell’Orto, Cannaregio, Venice
You might have heard the phrase that a camel is a horse designed by committee.
You might have also heard...
As some of my readers may know, I have long been drawn to the question of art etiquette—my first book, The Pablo Helguera Manual of Contemporary Art Style, was precisely devoted to it—and this week’s submission, in that sense, is true to fo...
Recently, I listened to an interview with investigative reporter John Carreyrou in which he described his attempt to unmask the elusive inventor of Bitcoin, known under the pseudonym Satoshi Nakamoto. Nakamoto has successfully concealed the...
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The writers behind this newsletter.
Beautiful Eccentrics is a weekly dispatch of letters, notes and marginalia on contemporary art. I am a Mexican visual artist living in New York. My work involves performance, drawing, pedagogy, installation, theater and literary strategies.
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