
Dance music’s past, dance music’s future
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 206 | Founded | 3 years ago | Last Issue | 4 days ago |
| Active | |||||

“Freaks, difference and a rockette’s kick” @annajanemcintyre
Mercury Rev don’t have albums; they have eras. Over their first decade alone, the band lurched from their guitar freak era (Yerself is Steam) to the jazz disgrace period (Boces),...
Plus dBridge, Ray Keith, Starcleaner Reunion, TDF and Carrie
Imagine if My Bloody Valentine were healthy. And sun kissed. And lived in Los Angeles. Well they wouldn’t be My Bloody Valentine, you might say. And you’d be right. They’d be Dum...
“A different kind of wave” @annajanemcintyre
Frankfurt’s Playhouse records was well named. Founded as a sister label to the thundering Klang Electronik, it found its feet as a home for the more playful, devious and downright weird strains...
“Marianne & the fashionable dream fog machine” @annajanemcintyre
How does a rock band get big - stadium big - in the modern world? For a while Arctic Monkeys looked like they were going to be the last really big rock band; and then, weirdl...
Plus Matthew Herbert, Ton Steine Scherben, Ex:Re; Arthur Hnatek and more
In this issue of Line Noise: an interview with French fireball u.r.trax; reviews of new music from Matthew Herbert; Anna Butterss, John Raymond and Ben Lumsdaine; Ex:...
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The writers behind this newsletter.
Words, voices and musical oddity. Radio Primavera Sound, Pitchfork, DJ Mag, The Guardian etc. Any use of this publication to “train” generative artificial intelligence technologies is expressly prohibited.
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