A newsletter about electronic and experimental music.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 241 | Founded | 4 years ago | Last Issue | 6 days ago |
| Active | |||||
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futurismrestated.substack.comLatest Issues
FR 193: Eleven Albums
I’m missing Unsound this week, which is a strange sensation; aside from the canceled 2020 edition, the last year that I missed was 2008. But after my recent trip back to Portland to take care of my mom, I was reluctant to up and leave my ow...
FR 192: “Infinite Personalized Music” Is Just Music
The other day a post from some tech bro started making the rounds.
There are many things wrong with his framing, beginning with the smug attitude (“Yes, this probably hurts your feelings. It’s still going to happen,” he wrote, or asked AI...
FR 191: The Shameless Heyday of Novelty Minimal
18 tracks of wackadoo samples, cheeky edits, and, why not, animal noises
I was recently tickled pink to discover that Kórnel Kovács, one third of Stockholm’s Studio Barnhus, has joined Substack. He calls himself “a failed music writer at h...
FR 190: Nearly Gold
I’m experimenting with something new this week: just one review. Part of that’s because I’m behind schedule, particularly after the epic task of writing about Sasha & Digweed’s Northern Exposure—at the last minute, it got bumped up from reg...
FR 189: Frames, Mirages, Wells
New music from Actress, Miyaxx, Le Motel, and more
Before we get to the music, a quandary:
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Authors
The writers behind this newsletter.
I've been writing about music—mostly electronic or experimental—since the late 1990s. You've probably read my work in Pitchfork. I'm also cofounder of Balmat, an ambient-ish record label, and the cohost of Spain’s Lapsus Radio (www.lapsus.com/radio).
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