
A newsletter about electronic and experimental music.
| Platform | Pricing | Freemium | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 217 | Founded | 3 years ago | Last Issue | 8 days ago |
| Active | |||||

In my review of Boards of Canada’s Inferno for Pitchfork last week, I mentioned that, in the days following a Barcelona listening session a week prior to the release, I suddenly seemed to see hexagons everywhere I looked. I wasn’t exaggerat...
The first time I saw Martyna Basta perform, at Kraków’s Unsound in 2022, she left me spellbound. She performed in one of my favorite venues there: Kopernika 15, a surgical theater in a former medical college, where the audience sits arrayed...
A new AI startup poses a solution for a problem that doesn’t exist.
Resident Advisor reported this week on a new AI startup aimed at facilitating music discovery in underground electronic music. Paste a link to a track you like, and it spi...
The Field is back! Plus new albums from Matt Evans, Imaginary Softwoods, Memotone, and more.
All hail the looping state of mind. That’s the title of a great 2011 album from the Field, of course; after an eight-year silence, he’s finally ba...
Her new album Foundry opens up a new world of textural abstraction—and one unstoppable anthem.
Yu Su’s past decade has been a process of steady if unpredictable change. Born and raised in Kaifeng, China, she didn’t encounter electronic mus...
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The writers behind this newsletter.
I've been writing about music—mostly electronic or experimental—since the late 1990s. You've probably read my work in Pitchfork. I'm also cofounder of Balmat, an ambient-ish record label, and the cohost of Spain’s Lapsus Radio (www.lapsus.com/radio).
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