Café Europa
Natasha TripneyA weekly newsletter by Natasha Tripney dedicated to European theatre. You can expect a mix of in-depth reviews and profiles of the artists and companies that excite me, plus other stuff.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 150 | Founded | 3 years ago | Last Issue | 7 days ago |
| Active | |||||
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natashatripney.substack.comLatest Issues
Made you look: Alexander Zeldin's CARE
I have just back from Berlin where, as well as reigniting my love for the interval pretzel (I am delighted that London’s Royal Court now sells these in the bar), I saw several shows as part of this year’s Theatertreffen - more on which next...
The great unknown: Łukasz Twarkowski's Oracle
I’m currently in Berlin for Theatertreffen – you can read my review of Jaz Woodcock-Stewart’s The Glass Menagerie here – but a couple of weeks ago I was in Riga, which was apparently in the grip of a second micro-winter. It was very chilly,...
London round-up: Between the River and the Sea, I Saw Satan at the 7-Eleven, One Flew Over the Cuckoo's Nest
I just got back from a packed week in London, during which, despite it coinciding with not one but two tube strikes, I managed to see some shows, see some friends, spend a substantial amount of time in the Soho Theatre bar and catch the exc...
Trump card: Wunderbaum's Die Kunst des Deals
Last week’s piece on boring theatre prompted a lot of entertaining discussions both in person and online as well as a few new subs - welcome to all of you.
I’m in London this week, but the topic of this newsletter is a new show that opene...
Being boring: On the experience of being bored in the theatre
In a change of pace this week I wanted to reflect on the experience of being bored in the theatre, so I spoke to a group of UK and European critics about the occasions when this is happened to them. Is there a distinction between work that...
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