Café Europa
Natasha TripneyA weekly newsletter by Natasha Tripney dedicated to European theatre. You can expect a mix of in-depth reviews and profiles of the artists and companies that excite me, plus other stuff.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 156 | Founded | 3 years ago | Last Issue | 7 days ago |
| Active | |||||
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natashatripney.substack.comLatest Issues
Buttered up: Rébecca Chaillon's The Parable of the Sour
Hello from London, where it is unnecessarily hot. I have spent the last week benefiting from the air conditioning of various theatres, but this week’s post is the first exploring the work I saw recently in Vienna.
This newsletter takes tim...
Banding together: Emma Frankland's No Apologies goes on tour in the Balkans
Hello, from London, where I recently arrived after a theatre-packed weekend in Vienna (more on this next week). This week’s newsletter is, however, on the work of theatre-maker Emma Frankland and No Apologies, her show about Kurt Cobain - b...
Home and away: Nassim Soleimanpour's White Rabbit, Red Rabbit
Hello from Vienna, or more accurately a bus somewhere in between Belgrade and Vienna. If this journey is like previous journeys, I’ll probably still be sat waiting at the Hungarian border.
This newsletter takes time to research and write....
Hope and euphoria: Hungarian cultural workers look to the future
The Stage has just published my article on a new production of Death of a Salesman in Istanbul, directed by Rufus Norris, former artistic director of the National Theatre of Great Britain, and the reason for my recent trip. Willy Loman was...
Good vibrations: Jaz Woodcock-Stewart's The Glass Menagerie
I am back in Belgrade this week where, once again, people have been taking to the streets in very large numbers, an estimated 190,000 people gathered downtown on Saturday as part of the wave of protests that have been going on for the past...
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