fiction craft, publishing demystification, weird books, other things
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Principles of Plotting Part IV: Intersection and Redirection
Katsushika Hokusai from Fugaku sanjūrokkei (Thirty-six Views of Mount Fuji)
The Principle of Principles
Hello readers,
I’m pushing through to finish this Principles of Plotting series, so this Part IV post immediately follows “The Pri...
Principles of Plotting Part III: Variation
Illustration of a “plotting room” on a Royal Navy World War II K-class destroyer Director Control Tower
Hello readers,
Every couple of weeks, I get a nice note or restack about my Principles of Plotting series. So, I figure it is finally...
There Are More than Five POVs
Hello readers,
You may have noticed I didn’t post a Counter Craft article last week, which is because I spent the last couple weeks in a furious creative haze to finish up a draft of my forthcoming haunted house novel Haunted Hills. The p...
The Ghostwriter in the Machine, LLM Author Psychosis, and Other Saturday Sundries
This is going to be a more scattered post than usual as I’ve spent recent weeks in the novel mines finishing up my forthcoming haunted houses (yes plural) novel Haunted Hills. I plan to write more about that soon. For now, some other things...
Processing: How Hannah Lillith Assadi Wrote Paradiso 17
Author photo by Jordan Ledy
Processing is Counter Craft’s semi-regular interview series where I talk to authors about the craft and writing process behind their work. You can find previous entries here.
This week, I’m excited to be talkin...
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Lincoln Michel is the author of Metallic Realms (Atria Books), The Body Scout (Orbit), and Upright Beasts (Coffee House Press). His fiction appears in The Paris Review, F&SF, Lightspeed, Granta, and The Baffler. He runs the newsletter Counter Craft.
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