
How movies get made, screenwriting / film / TV musings, and the occasional cinematic short story
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 12 | Founded | 5 months ago | Last Issue | 7 days ago |
| Active | |||||

It’s not glamorous. But understanding how independent film financing works is vital. And if you’re a filmmaker or a writer, it can help you create projects with higher commercial viability (meaning easier to get financed).
It’s a good scre...
Achieving success in film or TV is not, from a pure statistical perspective, that much easier than making it to the NFL. It’s really, ridiculously, almost impossibly difficult. And it’s not just about your creative talent. It’s also about t...
I began screenwriting after seeing the film Two For The Money, a now-forgotten Al Pacino / Matthew McConaughey film, that holds a 22% on RottenTomatoes and grossed 30 million dollars in theaters. I walked out of the theater, adamant, that I...
So you wanna be a screenwriter? Well, you need scripts. A lot of scripts. Rejection is so high in this field, it stands to reason, the more scripts you’ve got, the better your chances are, right?
No.
But surely, having a wide variety of s...
Pursuing a career in screenwriting is sort of like pursuing a spiked club as a backscratcher. What I’ve come to notice is that, whenever I’m just about to say screw it and go into selling life insurance or something, a completely unexpected...
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The writers behind this newsletter.
Former film exec. Produced writer of film, TV, & scripted podcasts. Set up numerous cinematic short stories for film/TV adaptation. I'll be posting generally about how movies got made (and the weirder short stories) + various film/TV musings.
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