
Writer, director, producer, former development executive, and reformed musician.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 25 | Founded | a year ago | Last Issue | 3 months ago |
| Active | |||||

As we have touched on in the past, action scenes of any kind need to tell a story. Otherwise, it’s just incident; stuff-that-happens. The scene might look cool to the eye, and visuals are important to cinema, obviously. But ultimately cinem...
Hey look, I did another podcast. Check it out HERE.
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We talk about Death Metal, Knife, and indie filmmaking in general. Check it out HERE.
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This is the last in a three-part series about the main parts of cinematic horror storytelling. Above and beyond the three acts we find in standard feature screenplay structure, horror narratives have their own three “acts.” The first two ar...
This is the second in series about the three acts that are specifically inherent to horror storytelling. The first article is here.
Act two – The characters realize they are haunted and are in danger
In typical three-act storytelling, the...
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The writers behind this newsletter.
Screenwriter, director, producer, former manager/development executive, RPG GM, listener of the heavy metals, reformed bassist.
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