Funny meta-satirical reviewer and epic sci-fi writer. Also weird dad, historian, and soccer ref.

The random ramblings of an unquiet mind.

I use Poetry and Art to create a place to dream and wonder, away from the demands and distractions of the modern world. My work seeks to open gentle, deep conversations that you can shape with your experiences, philosophy, and imagination.

Three goblins in a trench coat with a solemn vow to provide excellent weird and fantastical fiction and book reviews. Author of In the Giant's Shadow, winner of the Non-Human Companions category of the Indie '25 Awards. Long live the pulps.

Ambassador for nightingale Press. I write horror, cosmic or body are the most prominent types. I love sci-fi and fantasy and have plans for those as well, with horrer prominently shown within. I also try my best at poetry.

Generalist. Technowizard. Serial Assembler of Words.

Content Marketing Manager by day, author by night. Host of the Saved as Draft Podcast and Creative Director on "The Chronicles of Clenchport" animated series. Proud supporter of the Mseli app and all those who build community among creatives.

Where dark humor meets quiet honesty. I write stories with teeth, poems with bruises, and enough absurdity to make surviving interesting.

Purveyor of angsty horror, fantasy and sci-fi fiction. I advocate for women's rights as whole human beings with demands, needs, and rights of our own as a sex class. We are human too.

Medical student by day, aspiring writer by slightly later in the day. I love all things sci-fi (heavy on the sci), fantasy, and horror. Hope you enjoy ✨

Publishing house of Grumble and Gasp, Nuppeppō, and the upcoming Adorable Abominations anthology. We publish dark whimsical tales of questionable heroes, felonious puppets, doodling gods, and things that go bump in the night.

Read my serialized science-fiction novel "The People in the Box." Stay for musings on the state of literature, culture, and beyond.

Fiction and essays from a Gen X brain that’s done pretending things make sense. Stories that creep, essays that cut, commentary that doesn’t blink when the world unravels.