A Collection of Esmé's Notes
EsméMostly a home for writing that originated in print and stuff that is too specific for even my weirdo friends and their strange publications to publish.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 38 | Founded | 5 years ago | Last Issue | 7 months ago |
| Active | |||||
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An Ode to the Boring Godzilla Movies
This piece was originally published in the December 2023 for a print magazine, for which I was paid nothing. I obviously knew that going in, and although I think it’s strange to prioritise printing a glossy physical magazine over paying y...
Tender Moments in Ms. 45
In case you missed it, I wrote a piece for Little White Lies about Ed Wood, pronouns and the pain of trying to understand trans people from a time that’s alien to your own. You can read it here, I’m pretty proud of it and quite happy with...
I watched every late period Looney Tunes short and all I got was this stupid essay
At this point in my life I’ve spent enough time watching Looney Tunes cartoons that I’ve come to love every variation of them. Even the mostly bad ones. I find some coziness in Chuck Jones’ fairly lame imitation Disney period, I see the sty...
Eraserhead & The Women of David Lynch
Originally written for the Category H Screening of Eraserhead at the Rio Cinema on 21/03/25
When I think of David Lynch I think of women. Whether it’s Dorothy Valens screaming in pain and terror, as seen through the slits of a wardrobe doo...
From Afar and Right Up Close
This piece was originally published on January 9th 2024 in The Sofia Coppola Issue Zine by Jeremy Arblaster
Sofia Coppola’s movies never feel quite centred. They’re loose and orbital but what exactly they’re orbiting remains unclear; they...
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