Platform | Substack | Pricing | Only free issues | Publishes | Daily |
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Issues | 34 | Subscribers | Read | esmesnotes.substack.com |
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Sofia Coppola’s movies never feel quite centred. They’re loose and orbital but what exactly they’re orbiting remains unclear; they’re not neatly oriented to a theme. And so they stand in a certain contrast to the traditions of statuesque ca...
With its big, colourful sets and abstracted musical numbers, it’s clear that Barbie wants to capture the feeling of Old Hollywood, of the MGM musicals, but it’s far too overthought to let itself fall asleep and wake up in a dream ballet (an...
Originally Published September 25th 2022
Originally Published on September 15th 2022
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Esmé Holden is a transgender writer and editor based in Manchester, England. She has written for Cinema Year Zero, Little White Lies and Bright Wall/Dark Room, amongst others, and is obsessed with Judy Garland, Barbra Streisand and Bugs Bunny.
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