
Insight & observations on all things writing and publishing from a publishing industry veteran, current NYC agent, & developmental editor.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 60 | Founded | 2 years ago | Last Issue | 11 days ago |
| Active | |||||

If I had a dollar for every time I heard, “The story really takes off on page 20, 30, 50…” I could retire. My answer is always, “Then that’s where you should be starting.”
If an agent or editor needs to read 40 pages of preamble before fin...
After years of reviewing submissions and performing writing critiques, I’ve noticed most writers make the same mistake when writing a synopsis: they treat it like a long plot summary. So instead of showing the story’s underlying structure,...
There’s a scene prevalent in all genres. I doubt any of you have read it in a traditionally published book in the past few years — but agents see it constantly. So it stands to reason you’ve probably written some version of it.
I’ll use an...
For the past few years, the prologue has been knocked around a bit. Some automatically say, “get rid of it”; others are much more tolerant. For me, it’s a matter of whether it serves the story—creating value, rather than cryptic confusion....
In September, I wrote about backstory in opening pages, using examples of the things I see most often: the Wikipedia profile, the résumé, the therapy session, the historical timeline. It’s usually the main character arriving on page one wit...
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The writers behind this newsletter.
A Big 5 publishing veteran turned NYC literary agent & developmental editor, offering expert insights to help writers craft compelling books and navigate the path to publication.
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