
Insight & observations on all things writing and publishing from a publishing industry veteran, current NYC agent, & developmental editor.
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 55 | Subscribers | Read | reneefountain.substack.com |
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I read a lot of queries that sound... nice. But when I finish reading, I find myself wondering: What’s actually at stake here? Why should I care about this?
Over the past few weeks, we’ve talked about interiority versus direct thought and subtext instead of statements. These techniques deepen your writing—but there’s another big piece: voice.
Last article we talked about interiority—getting inside your character’s head, showing the thoughts they can’t help but think.
One of my subscribers told me they’d been trying to find more info/tips/examples on writing good interiority. They asked if “using direct thought is OK, or if it’s better to lean into interiority instead”.
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The writers behind this newsletter.
NYC literary agent & developmental editor, offering expert insights to help writers craft compelling books and navigate the path to publication.
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