Hank Shteamer writes about music.
| Platform |  | Pricing | Freemium | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 69 | Founded | 3 years ago | Last Issue | 10 days ago |
| Active | |||||
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darkforcesswing.substack.comLatest Issues
Letting the metal flow: The glorious returns of Tony Iommi and Saint Vitus
Photo: Ross Halfin
Tony Iommi, the uncontested inventor of heavy metal, has a new album out, and it’s really good. From where I’m sitting, that’s a big deal, a point I tried to convey in a recent New York Times feature.
I wonder how many...
‘Sounds, Infinite Sounds’: Walt Dickerson Holds Forth
A detail from the cover of the 1978 reissue of Walt Dickerson’s 1964 LP ‘Unity’ with a portrait by artist Ron Warwell.
Immediately after sitting down with Walt Dickerson, the jazz vibraphonist who created an entirely new soundworld for the...
Ordeals and Visions: John Coltrane’s Gift of Flight
Since Friday’s publication of this New York Times piece that I wrote ahead of the John Coltrane centennial, I’ve received a good amount of feedback. Much has been positive, some has been negative, and I accept and welcome both. A couple not...
Breaking the Rules in a Good Way: Cindy Blackman Santana on Her Untamed New LP
Cindy Blackman Santana performs at Celebrate Brooklyn on July 24th, a week before the release of ‘Coherence.’ Photograph: Jimmy Bruch
First things first: For any New Yorkers reading this, Cindy Blackman Santana is headlining a stellar Cele...
A Patient Infusion: The Quietly Momentous Return of Warning
It’s a familiar lament these days: There’s nowhere to cover Record X. I won’t rehash the collapse — or, if you will, the morphing-beyond-recognition — of the culture-journalism ecosystem, which you have surely read about in a dozen differen...
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