
News and views about new music – contemporary composition, creative music & improvisation, electronic and electroacoustic work, and idioms for which no clever genre name has yet been coined – on stage and on recordings.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 350 | Founded | 3 years ago | Last Issue | 21 days ago |
| Active | |||||

March 30, 2026. (Photograph: Annina Pellegrinelli-Smith)
Night After Night is currently on indefinite hiatus. Other responsibilities and obligations demand attention. While I’m away, I wholeheartedly endorse these invaluable resources for...
April 4, 2026. (Street art: Jamie Zeccola)
This will be the last update here for a while. Other responsibilities and obligations demand attention. There’s never enough time for the kinds of writing I’d like to be doing. Eking out a bare mi...
For the Record is a weekly column that rounds up details about new and pending recordings of interest to the new-music community – contemporary classical music and jazz, electronic and electroacoustic music, and idioms for which no clever g...
Times Square, March 27, 2026.
There’s a lot buzzing around inside my head, but nothing’s in coherent shape just yet, and there’s no time to bring it to a boil. But it’s still Tuesday as I write this, so I’m sending you the concert picks an...
For the Record is a weekly column that rounds up details about new and pending recordings of interest to the new-music community – contemporary classical music and jazz, electronic and electroacoustic music, and idioms for which no clever g...
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The writers behind this newsletter.
Proud papa. Senior copywriter, BAM. Former arts journalist & culture editor. Writing about new concert and creative music on stage in NYC and on recordings everywhere. [he/him/his]
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