
The small print of Italian history
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 42 | Founded | 2 years ago | Last Issue | 18 days ago |
| Active | |||||

On a rock ledge at 3,210 metres, inside a crack, resting on a piece of hide, lay an axe. Its blade was copper, its haft was made of yew and measured about sixty centimetres.
Four metres away, lying face down across a boulder, was the man...
One word can hold a whole history inside it.
I take them apart to see. Every so often three of them belong together: here they are.
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Read enough of them...
In a 14th-century Venetian chronicle, under the year 1177, two umbrellas stand open, one over the pope, one over the emperor.
Andrea Dandolo, a doge and chronicler, is writing about the Peace of Venice: the year Alexander III and Frederick...
At Ca’ Rezzonico in Venice there’s another painting by Pietro Longhi.
A huge man in a red coat stands in the middle of a room. He raises his arm, and a man taller than average walks under it. He’s dressed as a gentleman: a tricorn hat, la...
At Ca’ Rezzonico in Venice there’s a painting by Pietro Longhi. A group of masked Venetians stands around a big, still animal: a rhinoceros.
The man behind it holds a whip and a sawn-off horn, the animal’s horn.
An inscription works as bo...
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The writers behind this newsletter.
The small print of Italian history. The objects, documents, and people behind the big events.
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