Michele Dantini
MicheleDantiniContemporary art, visual culture, memory studies and the politics of images. This is my public research notebook: short essays, critical readings of artworks and exhibitions, and reflections on visual culture.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 134 | Founded | 5 years ago | Last Issue | 2 days ago |
| Active | Language |  Italian | |||
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micheledantini.substack.comLatest Issues
Seicento marchigiano. Un’attribuzione, tre prestiti e il rapporto Centro/Periferia nell’arte italiana Ancien Régime / 🇮🇹 🇬🇧
🇬🇧 English Version below
Presento qui un “longform” che spiega come può “funzionare” in concreto una “scuola” o una “tradizione” regionale per più versi preservatasi in Italia ai tempi dell’Ancient Régime, tale, ancora nella prima...
Primavera nelle Marche/10. That's all Folks / 🇮🇹 🇬🇧
🇬🇧 English Version below
Stilo qui, per gioco e a conclusione del mio “diario di viaggio”, una graduatoria affettiva dei TOP 10: i dipinti che mi hanno più colpito nel battere palmo a palmo le Marche per una ricognizione del patri...
Tre monocromi (e un'osservazione sull'importanza della glittica)
Luca Giordano, La Purezza, 1703-1704, Cappella del Tesoro Nuovo, Napoli, Certosa di San Martino.
i. Il dettaglio, che restituisco qui in due scatti diversi, è di impareggiabile finezza: questa figura femminile di non immediata decifrazione...
Patrimonio e soft power. L'invenzione medicea / 🇮🇹 🇬🇧
🇬🇧 English Version below
La Sala di Giovanni da San Giovanni, parte dei Quartieri estivi della Residenza granducale fiorentina di Palazzo Pitti, è uno dei più rilevanti cantieri artistico-ideologici seicenteschi, dove la storia de...
David Hockney (1937-2026) in memoriam / 🇮🇹 🇬🇧
Oggi muore un grande artista: lo rimpiango già. Ringrazio Hockney per la gioia e la brillantezza, la malizia e il candore che ha regalato in una lunga e fortunata carriera, percorrendo una strada tutta sua, coerente, appassionata, curiosa,...
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Authors
The writers behind this newsletter.
Art historian and writer. I work on contemporary art, visual culture, memory studies and the politics of images. This is my public research notebook: short essays, critical readings of artworks and exhibitions, and reflections on visual culture.
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