Michele Dantini
MicheleDantiniContemporary art, visual culture, memory studies and the politics of images. This is my public research notebook: short essays, critical readings of artworks and exhibitions, and reflections on visual culture.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 125 | Founded | 5 years ago | Last Issue | 4 days ago |
| Active | Language |  Italian | |||
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micheledantini.substack.comLatest Issues
Arte e liturgia al tempo del Concilio di Trento / 🇮🇹 🇬🇧
🇬🇧 English Version below
Apparso in due volumi a date diverse, 1957 e 1959, da poco ristampato dal Mulino nell’ambito di un’opera omnia non dichiarata, Il cardinale Gabriele Paleotti, 1522-1597 di Paolo Prodi è, a mio avviso, uno...
Primavera nelle Marche/7. Un lottesco a Calderola: Durante Nobili / 🇮🇹 🇬🇧
🇬🇧 English Version below
Figlio di un pittore devozionale di probabili origini lucchesi, Durante entra in contatto con Lotto curando l’installazione dell’Assunta di Mogliano, che Lotto spedisce nelle Marche da Venezia. In seguito...
Biagio d'Antonio tra Firenze e Faenza / 🇮🇹 🇬🇧
Per incrociare la riservata solennità del fiorentino Biagio de Giovanni, occorre spingersi a Faenza. Qui, nel melting pot del primo Rinascimento faentino, anticipato già dal gran va-e-vieni di maestri riminesi, umbri, fiorentini e senesi tr...
Primavera nelle Marche/6. “Do it yourself”
Amandola
Ancona
Apecchio
Carassai
Cossignano
Torre San Patrizio
Altidona
Monterubbiano
Monte Cassiano
Sant’Elpidio al Mare
Monte San Martino
Montefortino
Fermo
Monteprandone
Petriolo
Moresco
Montefiore dell’Aso
Porto...
Primavera nelle Marche/5. Due Lotto per Recanati (anzi tre) / 🇮🇹 🇬🇧
🇬🇧 English Version below
Niente di meno: Lorenzo Lotto. Solo Crivelli vanta una progenie altrettanto estesa in tutte le Marche: stirpi intere di pittori locali si sono elevati a vette vertiginose perché impollinati dai due grandi...
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The writers behind this newsletter.
Art historian and writer. I work on contemporary art, visual culture, memory studies and the politics of images. This is my public research notebook: short essays, critical readings of artworks and exhibitions, and reflections on visual culture.
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