Audrey Cefaly's playwriting techniques and insights from 20 years as a professional playwright.
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For those of you that like to listen to me drone on about my writing world, here I am talking about the evolution of Alabaster (#AlabamaGoatPlay) with James Elden ("Play Noir," Punk Monkey Productions). TOPICS: stagecraft, theatricality, hy...
Humanity is a shared experience, even as we ache alone in our private rooms. And these rooms—these living galleries—not unlike the ancient caves, with their well-kept secrets, existed long before us and will outlive us all.
This year I had the pleasure of mentoring a few dozen writers in preparation for submission to Concord Theatricals Off Off Broadway Short Play Festival. I thought I would summarize some of the advice I gave to these aspiring writers. I’d al...
Someone told my playwright colleague that playwriting is "the lazy way out of dealing with mental health." And that therapy was the "braver" choice. I've been sitting with this for a few days. Here we go.
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The writers behind this newsletter.
Audrey Cefaly's plays (Alabaster, Maytag Virgin, The Gulf, The Last Wide Open) have garnered the Lammy Award, the Calicchio Prize, the Edgerton, and a Pulitzer nomination. She is a DG Foundation "Traveling Master," & published by Concord Theatricals.
Jacqueline Goldfinger is a playwright and playwriting professor with two books from Routledge, "Playwriting with Purpose: A Guide and Workbook for Playwrights" and "Writing Adaptations and Translations for the Stage." www.jacquelinegoldfinger.com
Playwright and Television Writer
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