
I teach at the School of the Art Institute, Chicago. Here for writing: experimental, fictional, constrained, with images, with music. All the art stuff is over on Academia, or on my website.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
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| Issues | 52 | Founded | a year ago | Last Issue | a month ago |
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This is a review of an unusual book that proposes to define and explain close reading. It’s a embattled expression—abandoned in distance reading, critiqued in surface reading, revived by formalists, associated with New Criticism, instrument...
Your Name Here has received about as comprehensive a reception as any literary or experimental fiction every gets in the U.S. It took an unusual path to that fame: it was posted, unpublished, on DeWitt’s website, and then “discovered” by th...
Introduction
Michael Lentz’s thousand-page novel Schattenfroh (roughly: Joyous Darkness, 2018) is now in English (2025). He also wrote a book called Innehaben: Schattenfroh und die Bilder (roughly: Possession: Schattenfroh and the Images,...
It’s normal for reviewers on Amazon and Goodreads to be confused, annoyed, and sometimes hypnotized by books they can’t grasp:
I cannot rate this book. It is too perplexing and far-reaching and hallucinatory to begin to comprehend. It is...
In 2016 I became one of just a few people, I think, who have read all four volumes of Nabokov’s translation and notes on Pushkin’s Eugene Onegin. Nabokov’s edition has been notorious from the moment it appeared in 1964, both because it prov...
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The writers behind this newsletter.
I teach at the School of the Art Institute, Chicago. Here for writing: experimental, fictional, constrained, with images, with music. All the art stuff is over on Academia, or on my website.
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