
Connecting the dots, at the intersection of arts, creativity, culture and politics
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 92 | Founded | 6 years ago | Last Issue | 8 days ago |
| Active | |||||

In a time when we can no longer talk to one another without agreeing, when we must consent, remain silent, or leave, the string quartet does something different: four voices that contradict one another, without a leader and without resolvin...
Dans un temps où l'on ne peut plus se parler sans être d'accord, où il faut consentir, se taire ou partir, le quatuor à cordes fait autre chose : quatre voix qui se contredisent, sans chef et sans rien résoudre, continuent de jouer ensemble...
The image that numbs you replaces what it represents and keeps you from looking at it. This is what the ancients called the idol. The prohibition that targeted this mechanism has changed hands four times: Jewish and Muslim aniconism, Adorno...
L’image qui endort remplace ce qu’elle représente et empêche de le regarder. C’est ce que les anciens appelaient l’idole. L’interdit qui visait ce mécanisme a changé de mains quatre fois : aniconisme juif et musulman, Adorno après Auschwitz...
La Russie a institué le premier marché d'État au monde pour la mort de ses soldats. Aux familles, elle verse l'équivalent de quinze à vingt-cinq ans de salaire civil par conscrit tué. Le système a fait reculer la pauvreté russe à son plus b...
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The writers behind this newsletter.
Creative director. Cultural Strategist. From Paris to NYC. I contain multitudes
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