La Nona Ora
Remi CarliozConnecting the dots, at the intersection of arts, creativity, culture and politics
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 105 | Founded | 6 years ago | Last Issue | 8 days ago |
| Active | |||||
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lanonaora.substack.comLatest Issues
[English Version] Aya Nakamura, Who Do You Sing For?
“What do I really owe you? Squat.” [« Je vous dois quoi en vrai ? Kedal. »] What France demands of a Black singer, and what a Kerry James Marshall painting carries in her stead.
Léa Djezir // Liberation
NB: English translation from French...
Aya Nakamura, pour qui chantes-tu ?
Face au roman national au singulier, Kerry James Marshall raconte des histoires au pluriel, où aucune figure n’a à être exemplaire.
À Aya Nakamura, on demande au contraire de prouver qu’elle est française et de parler pour tous les Noirs...
Toward an Iconogenesis of the Left
Below is the English translation of an essay I wrote for the French magazine AOC, published today.
Original French article click here.
Shattered storefronts, looted shops, burning trash cans... the right wins the battle of images bec...
[English version] AI, My God, Who Wouldn't Want a Wife?
Cindy Sherman, Untitled Film Still #3 (1977) // MoMA
“I want a wife who will work and send me to school.” Judy Brady, I Want a Wife, 1971
For Rancière, the distribution of time organizes inequality. It tells each person what they h...
IA, Mon Dieu, qui ne voudrait pas d'une wife ?
Cindy Sherman, Untitled Film Still #3 (1977) // MoMA
« Je veux une femme qui travaille et paie mes études. » Judy Brady, I Want a Wife, 1971
Chez Rancière, la répartition du temps organise l’inégalité. Elle dit à chacun ce qu’il a le temp...
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Creative director. Cultural Strategist. From Paris to NYC. I contain multitudes
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