
Connecting the dots, at the intersection of arts, creativity, culture and politics
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 94 | Founded | 6 years ago | Last Issue | 16 days ago |
| Active | |||||

Why defend something that serves no purpose, when everything must serve a purpose?
This week, I embarked on a major project. I tried to love Wagner. I really did. I’d told myself I’d been unfair, that one could separate the man who wrote J...
Cy Twombly: Fifty Days at Iliam
Pourquoi défendre ce qui ne sert à rien, quand tout doit servir.
Cette semaine, je me suis lancé dans un grand projet. J’ai essayé d’aimer Wagner. Vraiment. Je m’étais dit que j’avais été injuste, qu’on pou...
In a time when we can no longer talk to one another without agreeing, when we must consent, remain silent, or leave, the string quartet does something different: four voices that contradict one another, without a leader and without resolvin...
Dans un temps où l'on ne peut plus se parler sans être d'accord, où il faut consentir, se taire ou partir, le quatuor à cordes fait autre chose : quatre voix qui se contredisent, sans chef et sans rien résoudre, continuent de jouer ensemble...
The image that numbs you replaces what it represents and keeps you from looking at it. This is what the ancients called the idol. The prohibition that targeted this mechanism has changed hands four times: Jewish and Muslim aniconism, Adorno...
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The writers behind this newsletter.
Creative director. Cultural Strategist. From Paris to NYC. I contain multitudes
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