A blog and podcast by Lillian Crawford looking at the history of British cinema.
Platform | Substack | Pricing | Freemium | Publishes | Weekly |
---|---|---|---|---|---|
Issues | 29 | Subscribers | Read | listentolillian.substack.com |
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For this bumper episode, writer and programmer So Mayer brings to films with them onto the podcast - Margaret Tait's Blue Black Permanent and Sally Potter's Orlando, both released in 1992.
A new dawn approaches for Listen to Lillian as we kick off a new season of the podcast with a wholesome discussion around Joe Wright's 2005 adaptation of Pride and Prejudice by Jane Austen, featuring cultural programmer Clémence Rebourg.
Last weekend I presented a paper at the Autism Through Cinema conference on Alexander Mackendrick's Mandy (1952), inspiring me to reflect on the British films that reflect my autism.
The Long Day Closes, dir. Terence Davies (1992)
The writers behind this newsletter.
Lillian Crawford (she/her) is a freelance film and culture writer for publications including Little White Lies, Sight & Sound, Empire, The Guardian, GQ, Curzon, MUBI, Composer, Plinth, MASSIVE, and BBC Culture.
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