Loose Buttons
JoAnnHyper-focused essays from your weird fashion art friend.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 63 | Founded | 2 years ago | Last Issue | 6 days ago |
| Active | |||||
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loosebuttons.substack.comLatest Issues
An elegy for Marissa Cooper
A first meeting between Marissa and Ryan in the pilot episode (all images Fox)
Note: Spoilers for the run of The OC.
I’ve been thinking a lot about a fictional dead girl — Marissa Cooper, the tragic heroine at the center of The OC — whos...
Open tabs, April edition
from l to r: Mother Mary, Florence + the Machine at MSG during the “Everybody Scream” tour (photo by me!), Batsheva’s bridal line, and Madonna’s “I Feel So Free” release.
Welcome back to Loose Buttons, my personal literary magazine on fa...
Who is the best-dressed "Emma"?
by the end of the day it was, like, the more the merrier
The high stakes of tea time
I dismissed reading Jane Austen for years, thinking her ouevre was all domestic visits and hand-holding titillation.1 But I was wrong to not see the d...
The apartment symbolism in "The Drama"
pantsing your partner in your pristine palace (all photos, A24)
I haven’t anticipated a movie like The Drama in a while. The marketing was full of flair and intrigue: the mysterious engagement announcement, the restrained trailers, the pr...
The fashion of Edith Wharton's Gilded Age
The Wyndham Sisters (1899), by John Singer Sargent.
The opening credits for the HBO series The Gilded Age give me so much anxiety. The intro begins with the spirit of enterprise: a train churns past a cityscape comprised of railroad bonds....
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Authors
The writers behind this newsletter.
Hyper-focused essays from your weird fashion art friend. Links are my love language.
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