
Personal musings about multi media culture with an anchor in opera and classical music - asking the question "Is there a difference between art and entertainment?"
| Platform | Pricing | Only free issues | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 51 | Founded | a year ago | Last Issue | 2 days ago |
| Active | |||||

I’m here in Detroit on a cold and rainy first day of Movement Festival. But the weather doesn’t deter the energy of the city, which thrives on grit and bedrock on which the city stands.
This time last year I was on my self-imposed artist-i...
Last month I was specifically discussing the Romantic and Gothic aestehtic of Lady Gaga’s recent Mayhem Ball - drawing from that inheritance: theatrical darkness, emotional maximalism, and the deliberate spectacle of feeling too much.
Toda...
Drag has always been an act of defiance disguised as spectacle. Sasha Velour’s Travesty, which recently played Washington, D.C.’s Woolly Mammoth Theatre Company, makes that argument with visceral,...
The Spring Equinox playlist contains a few selections that may not be as mainstream as others. Here’s a deeper dive into one composer whose work has made a lasting impact on my perspective on expression.
I sequenced the entire playlist to...
The Spring Equinox playlist contains a few selections that may not be as mainstream as others. Here’s a deeper dive into one composer whose work have made a lasting impact on my perspective on expression.
Drew Daniel’s origin story is inse...
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The writers behind this newsletter.
Matthew Principe is a Peabody-, Grammy-, Emmy-, Webby Award winning producer at the forefront of shaping the conversation around performing arts in the 21st Century.
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