Mitchell Johnson on Color
Mitchell JohnsonThoughts on color theory, contemporary painting, and the art world at large. Mitchell Johnson’s color and shape driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 346 | Founded | 2 years ago | Last Issue | 10 days ago |
| Active | |||||
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Color Behavior and Glow
You see the reddish orange block sitting on top of the ultramarine blue box in the still-life? Try to guess what colors you would need on your palette to make a painting that included that block. Can you imagine just sitting with your eyes...
Color Class Day Two
Today was the second day of the color class I teach on Cape Cod every September going back seven years. One of the things that came up today that I may have never discussed in the class is edges versus lines.
Zoom into the photo above and...
Color Class Day One
Above is a painting by one of my students who selected to work from an especially challenging moment of light and color where the grayish purple block sitting on the pinkish box casts the softest shadow on a white pedestal that is gently il...
“Hydrangeas (Tabor Academy)” Truro Exhibition
I’m at the gallery in Truro both weekends of my exhibition, “Twenty-One Years in Truro (Selected Paintings 1988-2026)”, 12-4pm. The exhibit is at Truro Center for the Arts at Castle Hill in Truro, Massachusetts through Sunday, September 20....
“Goose Rocks” in this weekend’s NY Times
Above is my ad in this weekend’s NY Times print Magazine. My paintings have appeared frequently in the The New York Times for 14 years. After twenty-five years in the traditional gallery system, I found this was a better way to reach my aud...
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Authors
The writers behind this newsletter.
California artist, Mitchell Johnson, writes weekly about the intersection of color theory, art history and his own studio practice.
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