Mitchell Johnson on Color
Mitchell JohnsonThoughts on color theory, contemporary painting, and the art world at large. Mitchell Johnson’s color and shape driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 328 | Founded | 2 years ago | Last Issue | 6 days ago |
| Active | |||||
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mitchellino.substack.comLatest Issues
ATM Advice for France and Italy
Leaving aside color theory, painting and art history for a moment I can’t resist sharing an important ATM story with you. You can use a credit card everywhere in Europe now but I still like to withdraw cash when I’m traveling. Quite a few b...
A Visit to Meyreuil, 2026
This a small landscape from my second trip to Meyreuil Village in the summer of 1990.
Mitchell Johnson, Meyreuil, 1990, 18x24 inches, oil/canvas.
When I was a grad student at Parsons MFA Painting program in 1988-1990, I had a hunch after...
Paris painting in the Summer WSJ Magazine
I’m more grateful than ever for these print ad relationships I have following the continued drip drip drip of the struggling gallery system. Pace Gallery is the latest to be in the news for their problems. My partnership with the The New Yo...
Permanent Palette for Oil Painters
[Here’s an edit to this post about artist colors and pigments. I’ve tried to cover a range of colors that I’ve found allow you to mix almost any color you can see. If you recognize any gaps in the gamut below, please leave a comment and add...
"Twenty-One Years in Truro Exhibition"
Mitchell Johnson, “North Truro (Edward),” 2026, 24x30 inches, oil/canvas. Private Collection, Park City, Utah.
I’m already getting a lot of questions about my annual September exhibition on Cape Cod. I teach a color theory class every Sept...
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| Subscribers | Engagement | 75 | Monthly Web Visits | ||
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Authors
The writers behind this newsletter.
California artist, Mitchell Johnson, writes weekly about the intersection of color theory, art history and his own studio practice.
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