
Thoughts on color theory, contemporary painting, and the art world at large. Mitchell Johnson’s color and shape driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 339 | Founded | 2 years ago | Last Issue | 3 days ago |
| Active | |||||

Above is the ad for my exhibition, Twenty-One Years in Truro, which appears on page 109 of the September, WSJ Magazine, out today, September 5.
Here’s the cover with Olivia Dean.
Below is the spread with my ad. I’ve been partnering with W...
Mitchell Johnson, “Kalmar (Umbrella),” 2026, 20x19 inches, oil/canvas.
My exhibit, Twenty-One Years in Truro, is on view on Cape Cod, September 8-20, 2026. There’s a reception and an artist talk, Sept 10 and Sept 11. But there’s also a pri...
Mitchell Johnson, “Fall (Tabor Academy),” 1988, 24x18 inches, oil/canvas.
The painting above, “Fall (Tabor Academy),” 1988, was made at Parsons School of Design in New York City when I was in the graduate painting program studying with Pau...
Mitchell Johnson “Three Figures (Sailboat),” 2026, 40x30 inches, oil/canvas.
When I was a kid my father and I built models together - boats and planes. We carefully assembled them with that smelly toxic airplane glue that melts the plastic...
“Lower Manhattan from SF,” 2017, 21x28 inches, oil/canvas, Senator Bill Bradley Collection.
This New York City painting above will be in my new book, Twenty-One Years in Truro, that is coming out September 1. The book accompanies my upcomi...
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The writers behind this newsletter.
California artist, Mitchell Johnson, writes weekly about the intersection of color theory, art history and his own studio practice.
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