
Thoughts on color theory, contemporary painting, and the art world at large. Mitchell Johnson’s color and shape driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 358 | Founded | 3 years ago | Last Issue | 8 days ago |
| Active | |||||

Just like you, I notice what other artists are doing when they exhibit, when they post, when they present themselves to the public. I saw an exhibit of Richard Baker’s small paintings in the old gallery at Truro Center for the Arts at Castl...
Mitchell Johnson, “Rossiniere (Clouds),” 2013-2026, 38x70 inches, oil/canvas.
Mitchell Johnson, “Rossiniere (Sunset),” 2013-2026, 38x70 inches, oil/canvas.
I made four painting trips to Chateau d’Oex, Switzerland, between 2013 and 2016. W...
Mitchell Johnson, “Georgetown (Mailbox),” 1989, 18x26 inches, oil/canvas. Private Collection
The early Georgetown painting above was made in the summer of 1989 shortly before I moved to Europe for an independent semester of study in Sweden...
Mitchell Johnson, “San Giovanni D’Asso,” 2026, 13x16 inches oil/canvas. $10,000. sold.
Mitchell Johnson, “Presidio Shadow,” 2023-2026, 20x24 inches, oil/canvas. $15,000. sold.
Mitchell Johnson, “Bornholm,” 2023-2026, 20x30 inches, oil/can...
Mitchell Johnson, “North Truro,” 2005, 16x20 inches, oil/canvas. Copyright 2026 Mitchell Johnson. This painting belongs to the permanent collection of the Cape Cod Museum of Art and appeared in two Hollywood feature films, The Holiday (2006...
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California artist, Mitchell Johnson, writes weekly about the intersection of color theory, art history and his own studio practice.
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