
Thoughts on color theory, contemporary painting, and the art world at large. Mitchell Johnson’s color and shape driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience.
| Platform | Pricing | Only free issues | Publishes | Twice weekly | |
|---|---|---|---|---|---|
| Issues | 288 | Subscribers | Read | mitchellino.substack.com |
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There’s one day remaining to see the exhibition, Twenty Years in Truro, at Truro Center for the Arts at Castle Hill, 10 Meetinghouse Road, Cape Cod. The brand new Castle Hill Gallery is open Sunday, September 14, 12-5.
“North Truro (Days),” 2024-2025, 16x26 inches, oil/canvas. (© Mitchell Johnson)
Mitchell Johnson, “Montisi,” 1998-2006, 40x70 inches, oil/canvas.
For each of my annual exhibits at Truro Center for the Arts at Castle Hill there have been posters that accompany the show. Below is this year’s poster.
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California artist, Mitchell Johnson, writes weekly about the intersection of color theory, art history and his own studio practice.
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