Mitchell Johnson on Color
Mitchell JohnsonThoughts on color theory, contemporary painting, and the art world at large. Mitchell Johnson’s color and shape driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 334 | Founded | 2 years ago | Last Issue | 12 days ago |
| Active | |||||
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mitchellino.substack.comLatest Issues
Artists Who Refused to Wait
Kirchner x Kirchner at Kunst Haus Bern, 2025.
Artists Who Refused to Wait
The timing feels appropriate for reconsidering the relationship between artists and galleries.
In the last year alone, the art world has watched a series of gal...
Closing Soon: Izzy Barber
There’s one week left to see Izzy Barber’s exceptional paintings at Charles Moffett Gallery in lower Manhattan. Her show closes July 31, 2026.
Izzy Barber, Zeno’s Garage, 2025, 8x9 inches, oil/canvas.
Here’s a detail of Zeno’s Garage so y...
The Horizon Line And the Birth of Modernism
Edward Hopper, Rocks and Sea, 1916-1919, 12x16 inches, oil/wood. Whitney Museum.
Why did so many painters go to the coast?
The standard explanation is familiar. Artists sought cheap lodging, fresh air, fishing villages, picturesque scener...
Two Fairfield Porter Paintings
Fairfield Porter, Self Portrait, 1968, 59x45 inches, oil/canvas. Collection Dayton Art Institute, Dayton, Ohio.
I feel fortunate to have seen Fairfield Porter: What Everyone Knows at the Art Students League in New York City twice last week...
Josef Albers Versus Johannes Itten
Context is everything. That is the broad lesson of Josef Albers’s paintings, his teaching, and ultimately his masterpiece, Interaction of Color. A color changes according to its surroundings. A personality changes according to circumstance....
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Authors
The writers behind this newsletter.
California artist, Mitchell Johnson, writes weekly about the intersection of color theory, art history and his own studio practice.
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