Mitchell Johnson on Color
Mitchell JohnsonThoughts on color theory, contemporary painting, and the art world at large. Mitchell Johnson’s color and shape driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 353 | Founded | 3 years ago | Last Issue | 3 days ago |
| Active | |||||
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Exhibitions to see in NYC
Thomas Hart Benton, “Going West,” 1934, 12x23 inches, Lithograph.
The Thomas Hart Benton lithograph above, Going West, is on view at Schoelkopf Gallery, 390 Broadway, through Friday, October 16, 2026. It’s interesting that the Benton show,...
Did you watch Tim’s Vermeer?
Looking at Frans Hals and Vermeer yesterday at the Frick Collection in New York made me think of the documentary, Tim’s Vermeer, which I saw in the theatre when it was released in 2013.
Thanks for reading Mitchell Johnson on Color! Subscri...
My Art Students League Color Theory Class is sold out
I am teaching a one day color theory class at the Art Students League in New York City, Saturday, April 10 and Sunday, April 11, 2027. It is a one day class that meets from 10-4. You can certainly sign up for both days. This class is an abb...
Career Advice
Below is an Italian landscape, “Near Montisi,” 2000-2012 that is in the permanent collection of the Galleria Nazionale d’Arte Moderna in Rome.
Mitchell Johnson, “Near Montisi,” 2000-2012, 44x70 inches, oil/canvas.
One of my students from...
Latest Book and Early Landscapes
“Twenty One Years in Truro”, an oversized paperback, containing 77 color plates across 99 pages is available at Amazon and in person at Emily Joubert, Books Inc Palo Alto, Keplers Menlo Park, Truro Center for the Arts and PAAM in Provinceto...
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| Subscribers | Engagement | 77 | Monthly Web Visits | ||
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Authors
The writers behind this newsletter.
California artist, Mitchell Johnson, writes weekly about the intersection of color theory, art history and his own studio practice.
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