Mitchell Johnson on Color
Mitchell JohnsonThoughts on color theory, contemporary painting, and the art world at large. Mitchell Johnson’s color and shape driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 299 | Subscribers | Read | mitchellino.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
A visit to Morandi's Grizzana House
When I go to Italy, I frequently fly into Milan or Bologna and I almost always visit the Museo Morandi before driving to Buonconvento where I have been painting since 1993. On the A1 I have passed the exit for Grizzana Morandi dozens of tim...
Where is Fairfield Porter's "Island Farmhouse"?
In 2013, Alexander Nemerov, chose three Fairfield Porter paintings for the essay “Heir of Theirs: Mitchell Johnson and Fairfield Porter”. Getting permission to reproduce these paintings in my monograph, Color as Content, turned out to be an...
Mitchell Johnson Wyoming painting acquired by museum
“Wyoming #1 (Mormon Row),” 2020-2023, 18x30 inches, oil/camvas. Copyright Mitchell Johnson.
Donia Bijan's Memoir, Maman's Homesick Pie
Donia Bijan’s 2011 memoir, Maman’s Homesick Pie (A Persian Heart in an American Kitchen), speaks to a breadth of popular themes: immigration stories, 20th century Persian history, grief and loss, mother-daughter relationships and food-memoi...
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Authors
The writers behind this newsletter.
California artist, Mitchell Johnson, writes weekly about the intersection of color theory, art history and his own studio practice.
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