MUSIC x
Maarten, MacEagon Voyce, Bas Grasmayer, Tristra/ T Newyear, Nicolás Madoery, Gadi Sassoon, Virginie Berger, AUXRegular insights about the future of music, media & tech. Team: Maarten Walraven.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 436 | Subscribers | Read | musicx.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
✘ Streaming services are not Calm & Fluffy
AI developments are moving fast, yet it feels incredibly slow. The recent update from Deezer that 50k tracks fully generated by AI are uploaded every day is shocking. It’s no surprise that more tracks get uploaded and get through whatever s...
✘ The Web, have we lost it? Can it become semantic? Is music metadata a solution?
Dead Internet Theory. Alive Internet Theory. Have bots taken over? Do people still exist on the Web? If your music gets streamed on Spotify, does anyone hear it? These are all significant and big questions. It’s ontology. It’s hermeneutics....
✘ Capturing Community
What do we talk about when we talk about community? We’ve previously written about community as a dirty word and how community isn’t a new thing. Bas has called the 2020s the decade of community. I’ve previously introduced Minimum Viable Co...
✘ Expanding sounds as a creative and business model
The sounds in the air keep changing. Film music adapts and evolves from pure orchestral works to all sync-driven soundtracks to anything in between. Electronic music switches between its core soundsystem sonicity to all samples to anything ...
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Authors
The writers behind this newsletter.
Music = life
Minnesota-born, London-based musician, culture journalist, & technologist. Builder of Braneworld, Grey Matter, Emancipation Impact Network & FOLK. Writing Guided by Voyces & No Signal.
Founder: Calm & Fluffy newsletter. Formerly at COLORS, IDAGIO, and founded the MUSIC x newsletter.
creating other worlds, one story at a time
I work at the intersection of music, technology and internet culture. I run FUTURX, a research center that seeks to generate information and critical thinking for cultural ecosystems.
Composer from Milan. Experimental violinist. Synthesist. Transmedia artist.
I help music, tech & AI companies grow without losing creators, rights or common sense. French in LA. Writing about music, copyright & AI. If it exploits artists, I’m coming for it.
AUX is an app where people can post, discover, and vote on the best stuff on the internet.
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