Immovable minutes
Peter ciccarielloWelcome to Immoveable moments, my Substack art and writing journal. My name is Peter Ciccariello and I'm honored you've decided to join me on this journey of discovery.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 372 | Founded | 2 years ago | Last Issue | 8 days ago |
| Active | |||||
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peterciccariello.substack.comLatest Issues
Three Mile Harbor
M turned into the lot off Maidstone beach just as dusk was beginning to fall and cut the engine. The beach and jetty were empty; he’d seen the last stragglers driving off on his way in. The tide was moving, and he was sure the stripers and...
A Fable
An elderly man of modest means and no fixed prospects takes a job as a night guard at a small museum in a quiet New England town. He is old enough to be grateful for the work, and poor enough that gratitude comes without difficulty.
As par...
Diminuendo on the Salem Common
When my older brother died, out of the blue at twenty-three, the world violently fractured and the pieces of that puzzle never found their way back together again. It was a theft, an unexpected and traumatic tearing of the fabric of our fam...
How to Paint
In the basement, on a crossbeam under the upstairs floorboards, next to the old drawer where we hid Indian arrowheads, mysterious coins, and old bathroom fixtures, there was a desiccated cigar box that held the remains of my Grandmother’s o...
The Ethics and Morality of the Bunker
Omnem crede diem tibi diluxisse supremum
Grata superveniet, quae non sperabitur, hora.
“Think each day when past is thy last; the next day, as unexpected, will be the more welcome.”
Immovable minutes is a reader-supported publication. T...
Audience Metrics
Subscribers, engagement, traffic and sponsorship for Immovable minutes.
| Subscribers | Engagement | 77 | Monthly Web Visits | ||
|---|---|---|---|---|---|
| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Fifty years of digital art—from plotter to language model. I bring photographs, prints, and text into dialogue with machine-learning tools, testing how meaning shifts. Selection and authorship remain mine. The tools change; the disposition doesn't.
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