Immovable minutes
Peter ciccarielloWelcome to Immoveable moments, my Substack art and writing journal. My name is Peter Ciccariello and I'm honored you've decided to join me on this journey of discovery.
| Platform |  | Pricing | Only free issues | Publishes | Daily |
|---|---|---|---|---|---|
| Issues | 363 | Founded | 2 years ago | Last Issue | 6 days ago |
| Active | |||||
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peterciccariello.substack.comLatest Issues
Making Seams Disappear
Mary O. Johnson - Title: “Barge at Bar Beach”, Date: c1948
Manhassett Bay, boats in drydock- Medium: Water Color on Paper, Date: c1948
I’m reading Cal Flyn’s Islands of Abandonment. She writes about landscapes humans have abused and walk...
Kairos and the God-Beast
Chronomorphic Leviathan, 2025. AI-assisted digital composition (Adobe Firefly). The main drive train is a Chronometric Gear Cluster. The whale escapes the blueprint regardless.
“The sea had jeeringly kept his finite body up, but drow...
The Caul of Word
“The Myth is the art of living” – Laura Riding
The way we are, how we are born In what recent guard we quake By deeper root our newborn eye is cast As newly born, rising, head covered by shroud of language Growing these names in circles, c...
No Difference Between a Strand of Your Hair and a Cloud
Once I planted an apple tree. Patiently I waited — days, months, years. Carefully I pulled witch grass and chickweed and white clover from the circle at the base of the trunk. I laced it with a wire and a short length of garden hose around...
When mothers die
My mother, Priscilla Chloe Ciccariello - 1925 - 2023
Here is something biology already knows: mitochondria pass only through the mother’s line. Not the father’s. The mother’s. Generation after generation, a thread of cellular energy mo...
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| Subscribers | Engagement | 77 | Monthly Web Visits | ||
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| Accepts Sponsors | Estimated Cost per Ad | ||||
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Authors
The writers behind this newsletter.
Fifty years of digital art—from plotter to language model. I bring photographs, prints, and text into dialogue with machine-learning tools, testing how meaning shifts. Selection and authorship remain mine. The tools change; the disposition doesn't.
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