
We know the truth.
| Platform | Pricing | Freemium | Publishes | Daily | |
|---|---|---|---|---|---|
| Issues | 9803 | Founded | 3 years ago | Last Issue | 5 days ago |
| Active | |||||

For the fourth installment in our series reexamining hip-hop in the year 2001, Nitish Pahwa reexamines Boots Riley’s sickle-wielding, speaker-melting masterpiece.
Art by DJ Short
From ‘Come to Brasil’ [Abascal, 2026]
The kids aren’t alright, at least based on how they’ve been engaging with popular music. In the frenzy to prove themselves the most devout stan, listeners have assisted millionaires in winning increasi...
Greetings from the Royal Docks, where my wife is celebrating her 35th birthday. Let’s get into some quite delightful British jams.
Imagine touching down in London and seeing Pozer out in Los Angeles. This is why...
Art by DJ Short
It’s early in Greg Tate’s Flyboy in the Buttermilk that you realize Tate had assumed the responsibility of helping Black folks recognize what was possible for them in this world. In the hands of another, a tonal overture li...
All photos courtesy of Lauren Napier
“Our memory does funny things, right?” Lauren Napier, the musician and multidisciplinary artist, is in a unique position to know. Napier, who has written and performed under the moniker Punk Rock Doll a...
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The writers behind this newsletter.
We know the truth.
Editor-in-Chief, POW Magazine
a writer from long island. words in POW, pitchfork, the new york times, and twitter
humble blogger at never hungover dot club
Head of THE LINX. Contributor for POW, Pitchfork, and SuperEmpty. South Florida Superstar. \ud83d\udd17
I'm a Brazilian-born, SF-based culture journalist who's been covering music, food, drinks, travel and more for over a decade. I'm the same person online as I am IRL and everything I write about is absolutely an endorsement.
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