Reletter
Artwork for 1995 - 20??

words about God and Mammon

Platform
Substack
PricingOnly free issuesPublishesWeekly
Issues14Founded2 years agoLast Issue8 days ago
Active

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samuelstuckless.substack.com
Artwork for 1995 - 20??

Latest Issues

My Beef With Teetotaling

When I was 15 or 16, I attended a youth group at the local Pentecostal church roughly twice a month. Though youth group always took place on Friday nights, we’d sometimes have events on New Years’ Eve and Canada Day.

In the secular world,...

8 days ago
7
3

Large Language Models are for Committing Fraud

Of every malice that wins hate in Heaven,
Injury is the end; and all such end
Either by force or fraud afflicteth others.

But because fraud is man’s peculiar vice,
More it displeases God; and so stand lowest
The fraudulent, and gre...

a month ago
24
8

The 25 Greatest Christian Songs of the Last Century

Here are the twenty-five best Christian songs of the past century.


25. The Louvin Brothers: “There’s a Higher Power” (1959)

Iconic and infamous album art aside, The Louvin Brothers’ 1959 album Satan Is Real is a genuinely goo...

2 months ago
16
11

Q&A with Corné Gieselbach

I’m back with another Q&A (written podcast), this time with one of my favourite Substack interlocutors, Corné Gieselbach. He is a brilliant young theologian who has one of the most unique perspectives I have come across, and I’m excited to...

2 months ago
19
11

Q&A with Sacha Mugisha

Podcasting is over, we’re back to doing interviews that you read. We’re having conversations and then typing them out and removing the filler words. We’re asking stupid questions and getting serious answers back.

I got on the phone with my...

2 months ago
11
5

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Authors

The writers behind this newsletter.

  • Samuel Stuckless

    Dad, Catholic, Canadian. I work in tech and write in my limited free time.

  • Sacha Mugisha

    For the love of the game

  • Corné Gieselbach

    Hi I am Corné, I am an author, academic chair and PhD researcher. I write about the sacramental vision of the Church and its historical witness.

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