The Best Movie Substack
Carmen Petaccio, Christina Drill100% Pure Unfiltered Critique, Delivered to Your Inbox Every Week
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 57 | Founded | 2 years ago | Last Issue | 9 days ago |
| Active | |||||
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thebestmovie.substack.comLatest Issues
The Best Movie Substack Recommends: Middle Life
In Middle Life, the latest feature from Canadian writer-director-editor Pavan Moondi, the story beats and character archetypes never stray far from the generic conventions of the modern romcom. There’s a measured balance of witty dialogue a...
In The Odyssey, Christopher Nolan Once Again Reckons With How He Sorta Killed Heath Ledger
In the first season finale of Cursed Films, the Shudder docu-series about “the myths and legends behind some of Hollywood's notoriously cursed horror film productions,” showrunner Jay Cheel examines the egregious individual, organizational,...
The Invite is an Abysmal, Embarrassing Disgrace of a Movie. Why Do Professional Film Critics Love It So Much?
Note: The following critical discussion of The Invite is presented in partnership with Annoying Blondes, the newsletter owned and overseen by the writer Christina Drill. Readers of The Best Movie Substack are encouraged to subscribe to Chri...
Odyssey Review Prep: Our Classic Review of Oppenheimer
Note: Currently, the team at The Best Movie Substack is criss-crossing the globe to watch Christopher Nolan’s latest film, The Odyssey, in every available big screen format. Although our editors, staff writers, and summer interns have viewe...
If Backrooms is the Future of Movies, the Future of Movies Looks as Mid as the Present
Clark, the protagonist in Kane Parsons’s debut horror feature, Backrooms, owns a struggling discount furniture store and has no friends or family. His therapist, Dr. Mary Kline, was raised by a single mother with a severe mental illness and...
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Carmen Petaccio reviews movies regularly at The Best Movie Substack. He lives and teaches in Philadelphia.
celebrating (?) pop psychosis
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