
A newsletter about how we think about music, and how and why that's important. Mostly.
| Platform | Pricing | Freemium | Publishes | Monthly | |
|---|---|---|---|---|---|
| Issues | 9 | Founded | 2 years ago | Last Issue | 9 months ago |
| Active | |||||

Lots of things compete for our limited time: parenting, running, reading, cooking, doomscrolling, napping, composing, practicing, email, zoom, email, slack, email.
But the really big question, the one that sits overarching all of our littl...
Q: “How do you know when a piece is done?”
My answer: it isn’t, but share it anyway.
I suppose some people might get to the end of the last bar, scrawl out “S.D.G."1 and consider the piece complete forevermore, never changing so much a...
Or: the purpose of a system is what it does
I. The sunny uplands of the happy path
Canadian multi-genre musician Chilly Gonzales’ recent mea culpa on the Quietus calls out the boringness of overly-playlist-optimised neoclassical music: “Neoclassical music is the ultimate soundtrack for the age of the algorithm.” (Gonzales...
credit: Rijksmuseum
[This is the third and final post in this series. Read the first and second ones if you want context.]
This is an easily misunderstood point— to say nothing of the fact that some people wi...
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The writers behind this newsletter.
Pianist, composer, technologist.
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