The Creative Conductor
An Irish orchestral conductor writing about all things conducting, from repertoire to creative interpretation to deep dives on score study techniques.
| Platform |  | Pricing | Only free issues | Publishes | Infrequently |
|---|---|---|---|---|---|
| Issues | 7 | Founded | 2 years ago | Last Issue | 7 months ago |
| Active | |||||
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thecreativeconductor.substack.comLatest Issues
Berlin & Stockholm - September Reflections
After an unexpectedly busy August conducting a new opera by Brian Irvine, and working with my wonderful friends in the Ulster Orchestra, a trip to Berlin in September to catch the second week of the Musikfest, and feast my ears on some of t...
Treasures Untold - Discovering and Creating, Inspired by the Lives and Music of Women Composers of the Long 19th-Century
As a conductor I have long sought to stealthily ensure that the music of women composers features in my concerts!
Depending on the context, it can be a challenge to find music that ticks all the programme boxes - duration, instrumentation,...
Alternative listening for St. Patrick's Day...
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For the day that’s in it, there is only one way to relaunch The Creative Conductor Blog! If you are looking for some alternative listening, between imbibing the traditional St. Patrick’s Day musical and culinary delights, the...
Peaceline Perspectives at Classical:NEXT 2024... Creating Context in a Listening Space
Last night, on the stage at Saalchen, in Holzmarktstrasse Berlin, Belfast’s Hard Rain SoloistEnsemble brought a new concert format to life. Our 30 minute programme featured three pieces by Belfast composers interwoven by sound pieces featur...
Maybe it's time to see other people...for a while!
Continuing the Spring round up of musical adventures, September 2023 brought a lovely week of work with Galway’s Luminosa String Orchestra, but it would be my last concert for a while with the group…
I’m delighted to be the Luminosa’s prin...
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Authors
The writers behind this newsletter.
Irish orchestral conductor Sinead Hayes works across Ireland and the UK. After 10 years leading contemporary music, she now focuses on symphonic repertoire, bringing a fresh creative perspective to orchestral performance.
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