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The Creative Conductor

An Irish orchestral conductor writing about all things conducting, from repertoire to creative interpretation to deep dives on score study techniques.

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Issues10Founded2 years agoLast Issue14 days ago
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Latest Issues

On Bloomsday…A musical meandering through strings and air and offal words…

I’m almost certain that reading Ulysses changed my brain. Looking back on September 2022, a new reality, an alternative way of seeing the world, a wellspring of creative chaos seemed to have been rather inconveniently unlocked… The only pos...

14 days ago
3
1

Can a Bookshop Shape a Life? Closing a Musical Chapter at London's Travis & Emery Bookshop

Last month’s final pilgrimage to Cecil Court brought me back to a pivotal time in my life. On 21st May Travis & Emery, specialising in second-hand and antiquarian music books and scores, closed its doors in central London after 60 years*. O...

a month ago
15

What Does a (Great) Conductor Actually Do? Let’s Ask…. Carlos Kleiber

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As the orchestral world continues to reel from the inexplicable and mishandled ending of Andris Nelsons’ tenure as music director of Boston Symphony Orchestra, more people are asking the question “What does a conductor actual...

3 months ago
25
6

Time to Dig Deeper & Trust the Music: Mining for Musical Depth in Berlin & Stockholm

After an unexpectedly busy August conducting a new opera by Brian Irvine, and working with my wonderful friends in the Ulster Orchestra, a trip to Berlin in September to catch the second week of the Musikfest, and feast my ears on some of t...

8 months ago
5
1

Women Outside the Ordinary: The Inspiring Lives & Music of Women Composers of the Long 19th-Century

As a conductor I have long sought to stealthily ensure that the music of women composers features in my concerts!

Depending on the context, it can be a challenge to find music that ticks all the programme boxes - duration, instrumentation,...

a year ago
2

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  • The Creative Conductor

    Irish orchestral conductor Sinead Hayes works across Ireland and the UK. After 10 years leading contemporary music, she now focuses on symphonic repertoire, bringing a fresh creative perspective to orchestral performance.

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