
I am an American conductor with firsthand knowledge of top orchestras. And unlike the people who run those orchestras, I care deeply about preserving our musical tradition against the vicissitudes of militant wokeness. Join the fight. Subscribe!
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 51 | Founded | 4 years ago | Last Issue | 7 months ago |
| Active | |||||

Dear all,
Please enjoy my latest article in the Spectator World magazine on the decline of the Metropolitan Opera. In it, I argue that the Met’s problem goes deeper than programming too many boring and irrelevant contemporary operas. The o...
Dear subscribers,
I invite you to read my latest in The New Criterion—a post-mortem on the era of DEI in classical music, and an agenda for our art in a post-DEI America.
Enjoy, and share widely!
DB
Dear all,
After a long hiatus, I wanted to share this (I believe) important new article I just wrote for The New Criterion. In it, I argue that the Trump administration’s takeover of the Kennedy Center can provide a vital antidote to the e...
It’s no new thing for orchestral soloists to send a message through their wardrobes. Piano virtuosa Yuja Wang, with her haute club wear, builds a subtle bridge for young uninitiates to feel at home in the concert hall. Wang’s piano colleagu...
To whom it may concern:
Four years ago, researchers at Yale University first characterized the mental health epidemic of chronic climate dysphoria—a disorder defined by severe anxiety symptoms in response to chronic exposure to the inexora...
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The writers behind this newsletter.
I am an American conductor with firsthand knowledge of top orchestras. And unlike the people who run those orchestras, I care deeply about preserving our musical tradition against the vicissitudes of militant wokeness. Join the fight. Subscribe!
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