
NYC playwright Sara Farrington breaks down how theater is hard. It's funny, rage-fueled, punk, anti-establishment, historically accurate, motivating and especially anti-capitalistic. www.ladyfarrington.com
| Platform | Pricing | Freemium | Publishes | Weekly | |
|---|---|---|---|---|---|
| Issues | 81 | Founded | 2 years ago | Last Issue | 3 days ago |
| Active | |||||

In April 2017, a show of mine called CasablancaBox opened Off-Broadway at HERE Arts Center, where I had been an artist-in-residence for three years, part of their HARP @ HERE program.1
CasablancaBox was gigantic— 18 performers, massive cre...
Warning: Mentions of sex, a sexual encounter and a really, really sad thing.
My personal paleographic-archeological journey into my life in the theater continues.
For any new subscribers, in a nutshell: I documented every minute of my lif...
I don’t really want to have to write this piece. I mean… I want to—-the topic’s been nagging at me for months, but I’m sure it’s professionally ill-advised. How do I address this without shooting my career in the face?
Well, as with everyt...
Trigger warning: explicit mentions of sex.
I read a lot lately that people are worried about A.I. replacing them— at their job, as an generative artist, as an actor, everywhere.
It’s a valid worry. We creative types have the imagination t...
My last Theater Is Hard piece, (A Woman Could Have Fixed It), was my response to the now somewhat controversial New York Times interview with former (but not for 2 years) Public Theater AD Oskar Eustis where:
a) he quoted Karl Marx and, be...
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The writers behind this newsletter.
“Brave, almost foolhardy” (NYT) playwright Sara Farrington breaks down real life as a theater artist. Everything: ladyfarrington.com
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