Acoustical Swing
Pierre CréponA space for free-form writing about jazz history, with a focus on 1960s and 1970s free jazz.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 53 | Subscribers | Read | acousticalswing.substack.com |
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Latest Issues
Recent posts by this newsletter. Browse the email archive.
The Black Panther Party, Elaine Brown, Emory Douglas: Selected Sources on Revolutionary Art
The latest issue of We Jazz magazine contains my essay "Elaine Brown and the Black Panther Party on Motown." It covers the history of singer Elaine Brown’s self-titled 1973 Motown album, her second with pianist and bandleader Horace Tapscot...
Portal and Parallels (Guest Special)
Today’s post is an original, previously unpublished essay by Mutawaf A. Shaheed, who played bass with Albert Ayler, Charles Tyler, and the Black Unity Trio back in 1960s Cleveland. Mutawaf stopped playing in 1970 and has since then become a...
Acoustical Swing Year 1 Recap
This Substack page was launched a year ago, and posts have been added on a (mostly) weekly basis. Hopefully, the initial idea of “a space for free-form writing about jazz history” has held up. One thing I’d like to do after a year of experi...
The 1960s-70s French Jazz Underground on Record (Guest Special)
Out of the various European scenes that the 1960s free jazz movement strongly impacted, the French scene remains less well-known. Thanks in large part to the extensive reissue work done by the Souffle Continu label, a lot of excellent music...
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