ArtsManaged Field Notes
E. Andrew TaylorWeekly insights on management practice in arts and culture. Seeking more human and humane pathways to making art work.
| Platform |  | Pricing | Only free issues | Publishes | Weekly |
|---|---|---|---|---|---|
| Issues | 192 | Founded | 4 years ago | Last Issue | 7 days ago |
| Active | |||||
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The contracts you make, the covenants you keep
“To every people the land is given on condition. Perceived or not, there is a Covenant, beyond the constitution, beyond sovereign guarantee, beyond the nation’s sweetest dreams of itself.”
— Leonard Cohen, from Book of Mercy
It’s a b...
Gifts and grants are different things
That place and its patrons
Have taken more than I gave them
— Sara Bareilles, from “She Used to be Mine”
When we think and talk about “contributed income” in the nonprofit arts, we tend to include both gifts and grants. But there...
Sorting patrons with purpose
“Far better an approximate answer to the right question, which is often vague, than an exact answer to the wrong question, which can always be made precise.”
John W. Tukey, from “The Future of Data Analysis”
If your arts organization...
Debt, the handy but perilous resource
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
—David Wagoner, from “Lost”
Nonprofit organizations face a bit of an obstacle course when they need operating cash or capital. For example...
Time and tides in arts organizations
Concord and Time
Each needeth each:
The ripest fruit hangs where
Not one, but only two, only two can reach.
—William Plomer, from Benjamin Britten’s Gloriana: An Opera in Three Acts
When you manage an arts organization, y...
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Authors
The writers behind this newsletter.
Andrew brings three decades of insight and inquiry to improving professional practice in the arts. Director and Assoc. Professor of Arts Management at American University, he consults for cultural, educational, and support organizations worldwide.
E. Andrew Taylor thinks (a bit too much) about organizational structure, strategy, and management practice in the nonprofit arts. As an Associate Professor of Arts Management at American University in Washington, DC, he writes, teaches, and consults.
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