Ben Liebmann
All about how media and entertainment, culture, and brands collide, and what happens when creativity, commerce, and technology start pulling in different directions.
| Platform |  | Pricing | Only free issues | Publishes | Twice weekly |
|---|---|---|---|---|---|
| Issues | 25 | Founded | a year ago | Last Issue | 5 days ago |
| Active | |||||
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benliebmann.substack.comLatest Issues
Who Owns What the Internet Built?
Backrooms (A24)
When a studio turns a piece of internet culture into a successful film, what exactly has it acquired?
That is the question raised in a recent article in The State of Brand, which argues that the success of Backrooms, the h...
When The Game Is No Longer the Point
Most major sports have been built around the idea that the live game sits at the centre of fandom. Broadcast rights sell access to it, sponsorship sells association with it, and tickets, memberships and merchandise depend on loyalty to the...
Up and Down and Back Again
Australian television keeps finding new ways to commission the same shows.
Last week, broadcaster Seven announced that it had picked up I’m a Celebrity… Get Me Out of Here! for 2027, almost immediately after Ten announced it was “resting”...
The Regulation Alibi
Credit: Haiyun Jiang/The New York Times
I have never trusted AI companies when they call for regulation, and not because regulation is a bad idea. Actually, the opposite.
The thought resurfaced while watching Max Tegmark, the MIT physicis...
Being the Product
Credit: Mark Squires for Modern Luxury...
Charli D’Amelio was fifteen when a dance video made her the most followed person on TikTok. She now has over 200 million followers and subscribers across TikTok, Instagram and YouTube. She is twent...
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| Subscribers | Engagement | 71 | Monthly Web Visits | ||
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The writers behind this newsletter.
All about how media and entertainment, culture, and brands collide, and what happens when creativity, commerce, and technology start pulling in different directions.
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